The University
of Mississippi
Department of English
Colby Kullman

Colby Kullman
Professor of English

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Publications

Books

  • Kullman, Colby H., and Philip C. Kolin, editors. Speaking on Stage: Interviews With Contemporary American Playwrights. Tuscaloosa, Alabama: The University of Alabama Press, 1996.
  • Kullman, Colby H., and William C. Young, editors-in-chief. Theatre Companies of The World. 2 vols. Westport, Connecticut: Greenwood Press, 1986.

Journals

  • Kullman, Colby H., and Philip C. Kolin, co-founders and co-editors. Studies in American Drama, 1945-Present. Volumes 5 - 8. Columbus, Ohio: Ohio State University Press, 1991-1994; Volumes 1-4. Dexter, Michigan: Thomson-Shore, 1986-1990.
  • Publications of The Mississippi Philological Association, L983. Co-edited with Benjamin F. Fisher IV and others. 1983.

Articles

  • "Tennessee Williams's Mississippi Delta: A Photo Essay." Southern Quarterly 38, No. 1 (Fall 1999), pp. 124-140.
  • "Death of a Salesman at Fifty: An Interview with Arthur Miller." Michigan Quarterly Review 37, No. 4 (Fall 1998), pp. 624-634.
  • "The Red Devil Battery Sign: A Bibliographic Essay." Tennessee Williams: a Guide to Research And Performance. Ed. Philip C. Kolin. Westport, Connecticut: Greenwood Press, 1998, pp. 194-203.
  • "The Significance of Oath-Taking Scenes in the Journals of James Boswell." Rationality And The Liberal Spirit. Shreveport, Louisiana: A Centenary Publication, 1997.
  • "From Nathaniel Bailey and Samuel Johnson to the O.E.D.: Using Dictionaries in the Writing Workshop." The Journal of The Mississippi Council of Teachers of English 19, No. 1 (Fall 1997), pp. 10-19.
  • "Modern Drama and the Southern Tradition: An Interview." The Drama Journal 7 (1995), 211-226.
  • "Rule by Power: 'Big Daddyism' in the World of Tennessee Williams's Plays." Mississippi Quarterly 48, No.4 (Fall 1995), 667-676.
  • "Mississippi's Summer Theatre Festival." The Shakespeare Bulletin 13, No. 4 (Fall 1995), 26-27.
  • "Appreciating Gall: Boswell's Frank Wit." 1650-1850: Ideas, Aesthetics, And Inquiries in The Early Modern Era. Edited by Kevin L. Cope. New York: AMS Press, 1994, pp. 369--380.
  • "Second Tennessee Williams Festival Brings Scholars and Fans to Clarksdale." The Southern Register (Fall 1994), 14-15.
  • "'Are You a Mimic, Mr. Genius?': Boswell and Johnson on the Art of Being a Mimic." Transactions of The Northwest Society For Eighteenth-Century Studies 19 (1994), 24-29.
  • "Interview with Maya Koreneva." Studies in American Drama: 1945-Present 8, No. 2 (1993), 200-212.
  • "Beth Henley's Marginalized Heroines." Studies in American Drama: 1945-Present 8, No.1 (1993), 21-28.
  • "John Guare's Six Degrees of Separation." Studies in American Drama: 1945-Present 8, No. 1 (1993), 108-112.
  • "William Hogarth and the Gothic Impulse." Transactions of The Eighth International Congress on The Enlightenment. Oxford, England: The Voltaire Foundation (1993), pp. 1397-1398.
  • "James Boswell and the Art of Conversation." In Compendious Conversations: The Method of Dialogue in The Early Enlightenment. Ed. Kevin L. Cope. Peter Lang: Frankfurt am Main, 1992, pp. 80-89.
  • "Wits to Read, Praise to Give: Some Recent Approaches to Shakespeare." The South Carolina Review 23, No. 1 (Fall 1990), 177-187.
  • "James Boswell's Love of Painting, Sculpture, and Architecture." Transactions of The Samuel Johnson Society of The Northwest 17 (1988), 110-120.
  • "Boswell Interviews Rousseau: A Theatrical Production." The South Carolina Review 21, No. 2 (Spring 1989), 30-45.
  • "Boswell's First Meeting with the Infamous Margaret Caroline Rudd: A Study in Dramatic Technique." The University of Mississippi Studies in English, New Series, 7 (1989), 76-84.
  • "James Boswell, Master of Disguise." Mississippi Folklore Register 22, Nos. 1 & 2 (1988), 19-25.
  • "Laurette Taylor." In Notable Women in The American Theatre. Ed. Alice M. Robinson, Vera M. Roberts, and Milly S. Barranger. Westport, Connecticut: Greenwood Press, 1989, pp. 857-861.
  • "James Boswell, Would-Be Art Connoisseur." Transactions of The Seventh International Congress on The Enlightenment. Volume 3. Oxford, England: Voltaire Foundation, 1989, pp. 1437-1439.
  • "Beth Henley." In American Playwrights Since 1945: a Practical Guide. Ed. Philip C. Kolin. Westport, Connecticut: Greenwood Press, 1989, pp. 169-178.
  • Co-authored with Miriam Neuringer. "'Macho Is Jogging Home from Your Own Vasectomy': Johnny Carson's Successful Exploration of a Common American Stereotype." Mississippi Folklore Register 21, Nos. 1 & 2 (Fall 1987), 57-58.
  • "Just the Factoids, Ma'am." Notes Plus: a Quarterly Journal of Practical Teaching Ideas (November 1987), 1-2.
  • "Stratford-upon-Avon's 1960 Production of The Merchant of Venice," "Oregon Shakespeare Festival's 1977 Production of The Merchant of Venice," "The Globe Playhouse's 1977 Production of Romeo and Juliet, " "The Stratford, Ontario, Festival Theatre's 1961 Production of Troilus and Cressida," and "The San Diego National Shakespeare Festival's 1976 Production of Troilus and Cressida." In Shakespeare Around The Globe: a Guide to Notable Postwar Revivals. Ed. Samuel L. Leiter. Westport, Connecticut: Greenwood Press, 1986, pp. 433-434, 439-440, 647-648, 755-756, and 760-761.
  • "Alley Theatre," "The Cameri Theatre," "The Dallas Theatre Center," and "The Haifa Municipal Theatre." In Theatre Companies of The World. Ed. Colby H. Kullman and William C. Young. 2 vols. Westport, Connecticut: Greenwood Press, 1986, pp. 405-406, 412-413, 507-510, and 527-531.
  • "Joseph Heller's 'Eternal City': Yossarian's Journey to the Underworld." Odyssey: a Journal of The Humanities 8, Nos. 1 & 2 (December 1985), 37-45.
  • "Quilts and Culture: One Family's 1851 Baltimore Album Signature Quilt." Mississippi Folklore Register 19, No 2 (Fall 1985), 125-135.
  • "Boswell's Opinions Concerning Peculiarities of Dress." Transactions of The Samuel Johnson Society of The Northwest 16 (Fall 1985), 32-41.
  • "Exquisite Madness: The Madhouse Motif in Popular Humorous Satire." Studies in Contemporary Satire 12 (1985), 1-5.
  • "'William Inge: The Early Years,' by William C. Young." The Little Balklans Review 5, No. 1 (Fall-Winter 1984-1985), 5-12. Revised and Edited by Colby H. Kullman.
  • "James Boswell, Compassionate Lawyer and Harsh Criminologist: A Divided Self." Studies on Voltaire And The Eighteenth Century 217 (1983), 199-205.
  • "James Boswell's Literary Portraits: A 'Wild Imagination' Responding to 'This World of Jest.'" Transactions of The Samuel Johnson Society of The Northwest 14 (1983), 49-63.
  • "Summer Programs for Teachers of Composition." Kansas English 68, No. 2 (Winter 1983), 22-27.
  • "James Boswell's National Stereotypes." Mississippi Folklore Register 17, No. 2 (Fall 1983), 81-90.
  • "James Boswell's Voyages at Sea." Studies in The Humanities 10, No. 1 (June 1983), 22-27.
  • "Boswell's Account of the 'Flesher of Hillend': A Total Plan for a Criminal Drama." Ball State University Forum 23, No. 3 (Summer 1982), 25-34.
  • "Extended Definition in the Nightclub Routine." J.M.V. Grape: an Annual Publication of The Martha's Vineyard Summer Workshop on Teaching Composition. Vineyard Haven, Massachusetts: Northeastern University and Nathan Mayhew Seminars, Inc., 1982.
  • "James Boswell and Dr. Kennedy's Lisbon Diet Drink." Mississippi Folklore Register 15 (Fall 1981), 57-61.
  • "Those Omnipresent Rhetorical Structures." Journal of English Teaching Techniques 11, No. 1 (Summer 1981), 82-86.
  • "Teaching Rhetorical Structures to Technical Writers: A Workshop Proposal." In Teaching Technical and Professional Communication: Specific Assignments and Methods. Ann Arbor, Michigan: University of Michigan, 1981, pp. 45-46.
  • "Scholarly Works in Progress, 1980." Theatre Journal 32 (October 1980), 414-421. Co-authored with William C. Young.
  • "The Juxtaposition of Opposites in Milton's 'Nativity Ode.'" KAW Valley Literary Review 1, No. 2 (1978), 74-80.

Book Reviews

Over 135 reviews for Albion, American Reference Book Annual, Mississippi Folklore Register, Resources for American Literary Study, Shakespeare Bulletin, South Central Review, South Central Review, Southern Quarterly, and Studies in American Drama, 1945-Present.

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