Celebrating the Book in the Vatican City of Southern Letters


During the third annual Conference for the Book, held March 31-April 2 on the University of Mississippi campus, noted author Pat Conroy pronounced Oxford the Vatican City of Southern Letters. In recent years Oxford has received acclaim for its growing literary culture. This spring, Oxford and the conference brought together book lovers from all over to celebrate the written word to honor its past and prepare for its future. The conference was once again a collaborative effort between the Center and Square Books. This year s conference leaves me wondering how on earth we can have a conference as interesting and entertaining next year, commented Richard Howorth, Square Books proprietor, who was the conference moderator.

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Discussing the topic Early comers to the conference attended the Thursday night champagne-gala opening of the stage version of Oxford author Larry Brown s novel Dirty Work at the Hoka Theatre. Written by Brown and Richard Corley, the stage version originally played at the Arena Stage in Washington in 1994. The Oxford production was directed by Scott McCoy, professor of Theatre Arts at the University. McCoy conducted a nationwide search to bring together some of the finest young acting talent from such places as Dallas, Chicago, and New Albany, Mississippi, for the Oxford production.

Friday morning, Barry Hannah, writer in residence at the University, instructed a packed room of aspiring writers on such topics as working with an editor and submitting a manuscript. For this popular event, Hannah was joined by publishers Nan A. Talese of Doubleday and David R. Godine of David R. Godine, Publisher, and writers Jennifer Allen, Andrei Codrescu, Mark Richard, and Geoffrey Wolff.

Friday afternoon, Darden Asbury Pyron, professor of History at Florida International University and author of Southern Daughter: The Life of Margaret Mitchell, delivered an insightful and enthusiastic lecture on Mitchell s book preferences, her encyclopedia-like knowledge and attention to detail, and her salacious interest in sexuality. Pyron compared Mitchell s Gone with the Wind to her favorite novel, Hemingway s A Farewell to Arms. Among Mitchell s other influences, Pyron named Aldous Huxley, whose style of realism she emulated. Pyron added that Mitchell s style was Huxley s style stripped and stylized even more.

Later Friday afternoon, Elaine H. Scott, chairperson of the Arkansas Board of Education and recipient of the Reading Is Fundamental Leader for Literacy Award in 1994, moderated a panel discussion on literacy issues. Children s author Mary Lyn Ray recounted her own life as a young reader and discussed her involvement with community and schools as a children s author. James Parins, founder of the Student Literacy Corps at the University of Arkansas at Little Rock, discussed the benefits of preparing and organizing college students to teach literacy in the community. Literacy programs are a way to get the community together, said Parins. Through our program, 450 students and community volunteers have worked with over 800 literacy students. In his presentation, George Penick, president of the Foundation for the Mid South, described the private sector organization, which encompasses Mississippi, Louisiana, and Arkansas, as a means through which the three states, demographically and socially alike, can work together. The Foundation s goal is to work from the perspective of what communities want for themselves and how we can help them achieve their goals, explained Penick. We are looking for opportunities within communities rather than problems.

On Friday night, conference participants joined members of the Southern Literary Festival for remarks by critically acclaimed novelist Pat Conroy. Nan Talese, the author s editor and publisher, gave a spirited introduction. She began by noting that she and Conroy felt as if they had just been released from prison and were ready to celebrate: the day before, they completed 11 weeks of working together night and day to revise and trim the 2200-page manuscript of Beach Music, a novel in the making for five years and scheduled to be released in mid-June. Tonight the introduction and the reading will be reversed, said Talese. I ll read from Beach Music and then Pat will come out and tell you about himself. In his compelling master storytelling style, Conroy led the audience through his life as an author. Along the way, he introduced to the audience key people who have influenced his writing: Eugene Norris, the high school English teacher who first realized Conroy s talent; Don Conroy, his father on whom the book The Great Santini was based; Julian Bach, his agent; and Talese. Saturday morning, Conroy joined his father, Talese, Bach, Norris, and Doubleday publisher Marly Rusoff for a lively panel discussion on getting a book to readers.

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David Guterson and Larry Brown sign copies of their books on the balcony of Square Books Saturday afternoon.
<P>Later Saturday morning, Len Vlahos, industry relations manager for the American
Booksellers Association, prepared participants for the future of the book in
Cyberspace. Offering the insight that the information age has changed the nature
of the book itself, Vlahos predicted that the next 20 years will be the most
radical since Gutenberg invented the press.  If we don t make the change, 
advised Vlahos,  it will be like using a candle in the age of Edison.  The
discussion continued as Sven Birkerts, author of The Gutenberg Elegies: The Fate
of Reading in an Electronic Age, offered more predictions on the future of the
book in the electronic age. Birkerts warned,  In the future, books will have less
to do with human presence and place than information, mediation, and
representation. We are losing the gravity that makes meaning possible. We need
to take a good look at where the world is going and go the other way. 
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Last Modified : July 7, 95

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