Living Blues Symposium

Fall 2004 Issue
* Director’s Column
*News from Living Blues
*MS Delta Literary Tour
* Ventress
*12th Oxford Conference for the Book
*Brown Bag

*Burdine Documents Mississippi Delta
*F&Y
*Amy Evans
*New Books by John T. Edge

*Reading the South
*Eudora Welty's "Magic"
* SFA
*SFA
* LQC Lamar House
*2004 Tennessee Williams Festival

*Regional Roundup
* Notes on Contributors

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The 12th Annual Mississippi Delta Tennessee Williams Festival

How appropriate it is to any celebration of Tennessee Williams to focus some attention on food and eating, as both play an important part in his various writings. A street vendor in A Streetcar Named Desire shouts, "Hot tamales! Hot tamales!" as Blanche and her sister, Stella, go to Galatoire's for dinner so that Stanley can have his "little card party" to which the "ladies are cordially not invited." This year's Mississippi Delta Tennessee Williams Festival was highlighted by the appearance of Betty Hicks of Clarksdale, who, with her husband Eugene, has won national fame among chefs and former President Bill Clinton for outstanding Southern cuisine. An enthusiastic audience learned the art of making hot tamales. This cooking demonstration was paired with the team of Marda Burton (international travel writer) and Kenneth Holditch (Tennessee Williams scholar) who spoke about their recently published Galatoire's: Biography of a Bistro. They read a selection of anecdotes from their unique history of the 100-year-old New Orleans restaurant that has been a favorite of world figures from Charles de Gaulle to American presidents and Tennessee Williams.

Each year, the Williams Festival focuses on a specific play, with this year's selection Cat on a Hot Tin Roof. Consequently, Kenneth Holditch began the program with a lecture titled "The Mystique of Cat on a Hot Tin Roof and the Mississippi Delta." From the woods surrounding Moon Lake, where Maggie and Brick used to run and hunt, to the setting of Big Daddy Pollitt's plantation of "28,000 acres of the richest land this side of the valley Nile," Cat is filled with local color references. Distinguished actor, director, producer, author, and filmmaker Anthony Herrera talked about Big Daddy Pollitt asserting that Cat on a Hot Tin Roof is Big Daddy's play, as it is he who faces death, "looks at all the junk" in his house, and seeks out what is most important in life. "Despair in the family setting can cause us to betray ourselves," Herrera maintained, "while Mother Nature clears our heads" and "art becomes medicine for the soul." Actress Marissa Duricko and actor Jeff Pucillo then performed a dynamic first-act scene between Maggie and Brick. The celebration of Cat concluded with a scholars panel (Jay Jensen, Colby Kullman, Travis Montgomery, Wanda Reid, and Dorothy Shawhan) that considered such questions: Why are Peter Ochello and Jack Straw, the ghosts of Big Daddy's plantation, so very important? What do Maggie and Big Mama have in common? How do we know that Big Daddy and Brick truly love each other? Why is Maggie "so catty"? Is Brick a homosexual? Why are various games so important to Williams's play? What is the victory of a cat on a hot tin roof?

On Saturday morning, scholar, teacher, and playwright David Radavich presented yet another way of looking at the world of Tennessee Williams by talking about "The Midwestern Plays of Tennessee Williams." He was followed by playwright, actor, and director Dawson Moore, who gave practical advice on writing plays and seeing them into production. Dakin Williams awed his audience once again by reciting from his brother's works and sharing family stories.


Unique to the Williams Festival are the plays presented every year on the porches of the mansions in Clarksdale's historic district. Professional story-teller Rebecca Jernigan gave a performance version of Williams's short story "Portrait of a Girl in Glass," which he later turned into The Glass Menagerie; actress Janna Montgomery performed as two of Williams's Italian women, Lady in Orpheus Descending and Serafina della Rosa in The Rose Tattoo; and Clarksdale High School students acted in a scene from Williams's short play The Lady of Larkspur Lotion.

Always the most energetic part of the Williams Festival, this year's drama competition included nearly one hundred students from Brandon High School, Clarksdale High School, Coahoma County Junior High School, Madison South Palmer High, Northwest Rankin High School, Oak Grove High School, Power APAC, Purvis High School, and Rolla High School. Emily Bearden of Rolla, Missouri, was the first student outside of Mississippi to enter the competition, which gives substantial financial prizes for three-minute monologues and ten-minute scenes from the plays of Tennessee Williams. What better way to conclude a celebration than with feasting at Clarksdale Station and dancing to the Wesley Jefferson Band, one of the Delta's best.

Colby H. Kullman


photo: Richard Leavitt Collections




 

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