2004 Oxford Conference for the Book

Winter 2004 Issue
* Director’s Column
* Wharton Presentation 
*Gussow Wins Award for Blues Book
* Mildred D. Taylor Day to Be Celebrated During Book Conference
*Mississippi Delta Literary Tour
*Eudora Welty Program iin Jackson
*Gammill Gallery Exhibition Schedule
*Susan Lee Talks on Her Photographs
* Student Photography Exhibition
* SST Internship Endowment
* A Day in the Country
* Reading the South

* SST Student Assists Marshall with Local Research Profect
* SFA Director on Food Network
* SFA News
* SFA News: Book Review
* F&Y 2004
* Elderhostel
* F&Y 2005
* Mayfield
* 2003 Mississippi Delta Tennessee Williams Festival Report
* Regional Roundup
* Notes on Contributors

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11th Annual Mississippi Delta Tennessee Williams Festival Celebrates Food, Art, Religion, Music, and Performance


This year's Mississippi Delta Tennessee Williams Festival, held in Clarksdale, October 9-11, 2003, stretched out in an entirely new direction when Randall Andrews (a celebrity chef introduced frequently on culinary television shows as "Chef to the Stars") and Carl Pitts (an accomplished chef and veteran social studies and history instructor at Coahoma Community College) teamed up to celebrate the ethnic foods of the Mississippi Delta and focus on recipes for Southern food and drink mentioned in Tennessee Williams’s plays: Big Daddy’s hot buttered biscuits and hoppin’ john; Aunt Rose’s greens, pot liquor, and Eggs Birmingham; Baby Doll’s and Amanda’s lemonade; and Maxine’s rum-cocos. The food preparation demonstrations and festival feasting delighted a community crowd of over 200 who overflowed the confines of Clarksdale Station.

This years special event was the dedication of St. George’s Episcopal Church’s former rectory as a National Literary Landmark. Tennessee Williams’s beloved grandfather, the Reverend Walter Dakin, was rector there from 1915-1933; and Tennessee and Rose Williams spent significant amounts of time living there during their youth. Kenneth Holditch officiated by explaining the significance of the rectory to the world of Tennessee Williams--and now all of us.

Kenneth Holditch’s opening address on “Tennessee’s Delta: Cotton, Rising Tides, and Blues” set the stage opulently for the grand show that was to follow. The scholarly part of the Festival focused on Williams’s short plays 27 Wagons Full of Cotton and The Unsatisfactory Supper as well as his screenplay Baby Doll, which was shown as part of the program. Scholars Robert Canon, Erma Duricko, Kenneth Holditch, Jay Jensen, Colby Kullman, William Spencer, and Ralph Voss commented on the two one-act plays that were put together to make the screenplay.

Later, Vernon Chadwick presented “Tiger Tail: The Exorcism of Farce”; Ruth Moon Kempher, on “Baby Blue Ribbons and Roses,” a study of womanly images in selected Williams plays and paintings; and Travis Montgomery, on “Leaving Laurel: Migration and the Failure of Geographic Cure in Tennessee Williams’s A Streetcar Named Desire.”

Porch plays are an innovation of the Williams Festival that make it unique. This year Janna Montgomery performed monologues of Williams’s heroines while Coahoma County High School students acted in a scene from Cat on a Hot Tin Roof on two of the porches of the old homes in the historic area of Clarksdale near St. George’s Episcopal Church and rectory.

With the festival from the beginning, Erma Duricko (who has directed off and off-off Broadway and at theatres across the country) once again brought actors from her Blue Roses Productions, Inc., to perform at the Williams Festival. At Uncle Henry’s Place (the real site of the playwright’s Moon Lake Casino), Duricko herself performed Blanche Dubois’s monologue about the death of her 17-year-old husband, Allan Gray, as he ran out of Moon Lake Casino to shoot himself; and actors Jimmy Ireland and Marissa Duricko recreated the roles of Dr. John Buchanan and Alma Winemiller from Summer and Smoke as they spend part of an evening at Moon Lake Casino, then run by Papa Gonzales.

Special guest, JoAnn C. McDowell, president of Prince William Sound Community College in Valdez, Alaska, and founder and director of Alaska’s Last Frontier Theatre Festival spoke about her prestigious festival as well as about Kansas’s William Inge Theatre Festival (with which she was connected for over a decade). Along with the Williams Festival, all three programs, among the best in the nation, are supported by outstanding community colleges: Prince William Sound Community College, Independence Community College, and Coahoma Community College.

A highlight of the Williams Festival since its early days has been the student acting competition, with over $ 2,500 in cash prizes going to the drama departments of the winning actors’ schools. This year top honors in monologue, scene, costume, and “Stella!” shouting went to Oak Grove High School of Hattiesburg, APAC of Jackson, Coahoma County High School of Clarksdale, and Rankin High School of Jackson.

Once again, food and music added just the right spice to the Williams program. The opening Thursday night feast at Uncle Henry’s Place on Moon Lake, the Friday night dinner at Belle Clark with music by guitarists John Ruskey and Tater Foster playing blues ballads by Tennessee Williams, and the Saturday night banquet at Clarksdale Station on Blues Alley with musical entertainment by the Wesley Jefferson Band brought each day’s activities to a close with a truly “Most Satisfactory Supper.”

Colby H. Kullman


 

 

 


Seated: Ruth Moon Kampher; standing, from left: Travis Montgomery, William Spencer, Janna Montgomery, and Robert Canon, at Morgan Freeman’s Ground Zero restaurant and blues club

 

Sarah Wright, Erma Duriko and Jody McDowell at moon Lake Casino
 


Dakin Williams, in front of festival coordinator Panny Mayfield’s house

photos by Colby H. Kullman

 

 

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