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Speech-SPCH
110. BASIC VOICE AND DICTION. Study of the physical bases of speech; concentrated work for the individual improvement of voice, articulation, pronunciation, and expressiveness. (Non majors only). (3).
Theatre-THEA
110, 111. FRESHMAN PERFORMANCE STUDIES I, II. Concentrated studio training emphasizing improvisation, introduction to Stanislavsky technique, individual attention to basic acting process. Prerequisite: theatre arts majors only. (2,2).
163. INTRODUCTION TO MUSICAL THEATRE PERFORMANCE. Beginning studies in the styles and genres of British and American musical theatre. Prerequisite: theatre arts majors only. (2).
164. MUSICAL THEATRE PRACTICUM I. Voice and movement studies for the musical theatre student. Prerequisite: theatre arts majors only. (1).
168. FUNDAMENTALS OF VOICE AND SPEECH. Study of the physical bases of speech; exercises to improve breathing, physical alignment, use of resonators. Prerequisite: theatre arts majors only. (2).
169. VOICE AND MOVEMENT. Vocal production work combined with movement techniques emphasizing mind/body unity, sensory awareness, and improved
non-verbal communication. Prerequisite: Thea 168. (2).
171. RENDERING FOR THE THEATRE. Introduction to
and development of rendering skills and techniques used by designers in the theatre. (3).
172. THREE-DIMENSIONAL DESIGN FOR THE THEATRE. Introduction to skills and techniques used in the manipulation of form and space for theatrical design. Prerequisite: theatre arts majors only. (3).
185, 186. STAGE MANAGEMENT PRACTICUM I, II. Work as an assistant stage manager for an Ole Miss Theatre production. Prerequisite: theatre arts majors only. (1, 1).
192. PRODUCTION STUDIES I. Supervised projects in fundamental aspects of technical productions. Prerequisite: theatre arts majors only. (Z grade). (2).
201. APPRECIATION OF THE THEATRE. Appreciation of the Theatre as a performance art; developing perceptive audience standards through demonstrations of the unique characteristics of theatre. (Non majors only). (3).
203. DRAMA IN FILM. A study of film acting and production techniques in relation to various forms of drama considered through viewing and discussion of major dramatic film. (3).
204. COMEDY IN FILM. A study of film acting and production techniques in relation to various forms of comedy considered through viewing and discussion of major comic films. (3)
209. THEATRE TOPICS ON LOCATION. Intensive study of a specific theatre topic, including travel to a center of theatre activity. May be repeated once for credit. (3).
210, 211. SOPHOMORE PERFORMANCE STUDIES. Concentrated studio work involving voice and movement training, script analysis, role preparation techniques, and character development. Prerequisites: Thea 110, 111, and satisfactory completion of freshman juried recital. (4, 4).
220. BUSINESS AND EMPLOYMENT PRACTICES IN PROFESSIONAL THEATRE. Techniques for audition/portfolio preparation and presentation, interviewing, networking, how to utilize agents and managers, characteristics and advantages of unions in professional theatre. Prerequisite: theatre arts majors only. (2).
230. MOVEMENT FOR THE ACTOR I. Laban principles of effort as applied to stage movement, monologues, and mask work. Prerequisite: theatre arts majors only. (2).
231. MOVEMENT FOR THE ACTOR II. Continued exploration of Laban principles; exposure to Restoration and Elizabethan movement and manners. Prerequisite: Thea 230. (2).
235. THE ALEXANDER TECHNIQUE. Application of the Alexander Technique to the creative process and artistic execution. (3).
240. MAKEUP. Media and techniques in application of makeup for stage and television. (3).
242. COMMUNICATION FOR DESIGNERS. Discussions and practical exercises to increase the theatrical designer's ability to communicate effectively with directors, performers, producers, and the various costume shops executing their designs. Prerequisite: theatre arts majors only. (3).
246. COSTUME CRAFTS. Study of costume craft techniques and products used to satisfy special
costume needs, including mask-making, fabric painting and dyeing, and basic millinery skills. Prerequisites: THEA 171, 172, 272. (3).
250. INTRODUCTION TO FILM/VIDEO PRODUCTION.
Basic principles of lighting, sound, and camera usage
for film and television in both studio and location applications. (3).
251. INTRODUCTION TO FILM DIRECTING. Basic principles of camera composition, storyboarding, and shot management for film production. Prerequisite: Thea 250. (3).
260. FUNDAMENTALS OF ACTING. Basic techniques of acting for the modern stage. (For non majors only). (3).
263. MASK AND MOVEMENT TECHNIQUES. Studies in mask and movement techniques for the actor. Prerequisite: theatre majors only. (2).
264. MUSICAL THEATRE PRACTICUM II. Voice and movement studies for the musical theatre student. May be repeated once for credit. Prerequisite: theatre arts majors only. (1).
265. BASIC ACTING TECHNIQUES. Studies in essential performance skills. Prerequisite: theatre arts majors only. (3).
268. SPEECH FOR THE STAGE. An introduction to standard practices and terminology of stagecraft. Prerequisite: theatre arts majors only. (3).
269. ACTING WITH DIALECTS. Concentrated study and application of foreign accents and dialects of English often required in dramatic texts. Prerequisite: theatre
arts majors only. (2).
271. INTRODUCTION TO STAGECRAFT. Introduction to standard practices and terminology of stagecraft. Prerequisite: theatre arts majors only. (3).
272. INTRODUCTION TO COSTUMES FOR THE STAGE.
An introduction to various aspects of costuming, such
as construction, crafts, crew work, shop duties. Prerequisite: theatre arts majors only. (3).
273. COSTUME CONSTRUCTION. Practical experience constructing garments for use on stage, covering both contemporary and period clothing. Prerequisite: theatre arts majors only. (3).
274. THEATRE DESIGN GRAPHICS. Introduction to techniques of mechanical drawing, perspective, figure drawing, and use of color for the theatre arts. Prerequisite: theatre arts majors only. (3).
275. INTRODUCTION TO SCENE PAINTING. Introduction
to principles, techniques, and media for scene painting
in theatre. Prerequisite: theatre arts majors only. (3).
276. FUNDAMENTALS OF COMPUTER-AIDED DESIGN FOR THEATRE. Introduction to computer-aided design principles and software for theatre applications. Prerequisite: theatre arts majors only. (3).
277. INTRODUCTION TO PATTERNMAKING. An introduction to drafting patterns, using both flat pattern and draping techniques. Prerequisite: theatre arts
majors only. (3).
278, 279, 379, 477.THEATRE PRODUCTION TECHNIQUES I-IV. Production practicum for theatre performances
using traditional and advanced methods and technology. Prerequisite: theatre arts majors only. (3 each).
285. STAGE MANAGEMENT TECHNIQUES I. Familiarity with all aspects of technical theatre relevant to stage managing. Prerequisite: theatre arts majors only. (3).
286. STAGE MANAGEMENT TECHNIQUES II. Familiarity with all aspects of stage management work in audition, rehearsal, and performance situations. Prerequisite: theatre arts majors only. (3).
291. PRODUCTION STUDIES II. Supervised projects in fundamental aspects of design and technical
production. Formal critique of projects by design
faculty. Prerequisite: theatre arts majors only. (3).
292. Production Studies III. Supervised projects in fundamental aspects of design and technical
production. Formal critique of projects by design
faculty. Prerequisite: theatre arts majors only. (3).
301. SCENE STUDIES I. Concentrated scene work
drawn from classic and contemporary dramatic plays. Prerequisite: theatre arts majors only. (3).
302. SCENE STUDIES II. Concentrated scene work
drawn from classic and contemporary comic plays. Prerequisite: theatre arts majors only. (3).
307. ACTING FOR FILM AND TELEVISION I.
Concentrated study of essential techniques and terminology of film and television acting. (3).
308. ACTING FOR FILM AND TELEVISION II. Scene study using one- and two-camera formats. (3).
310, 311. JUNIOR PERFORMANCE STUDIES I, II. Concentrated studio work involving voice and movement training, character analysis, and scene work drawn from contemporary plays. Prerequisites: Thea
210, 211. (4, 4).
320. THEORY AND PRACTICE OF DRAMA. Examination
of major dramatic theories and styles as they relate to both the practice and the literature of theatre. Prerequisite: theatre arts majors only. (3).
321. THEATRE HISTORY I. Examination of the major developments in theatre from the classical Greek period with specific emphasis on the relationship between theatre and the broader culture of each historical period. Prerequisite: theatre arts majors only. (3).
322. THEATRE HISTORY II. Examination of the major developments in theatre from the 17th century to the present with specific emphasis on the relationship between theatre and the broader culture of each historical period. Prerequisite: theatre arts majors only. (3).
326. DRAMATIC LITERATURE I. Study and analysis of dramatic literature from the Greeks to the romantics. Prerequisite: theatre arts majors only. (3).
327. DRAMATIC LITERATURE II. Study and analysis of dramatic literature from the Romantics to the present. Prerequisite: theatre arts majors only. (3).
330. STAGE COMBAT I. Principles of unarmed stage combat, including introduction to martial arts. Prerequisite: theatre arts majors only. (3).
331. STAGE COMBAT II. Principles of weapons combat for the stage, including broadsword, rapier and dagger, and quarterstaff. (2).
335. THE ALEXANDER TECHNIQUE. Application of the Alexander movement technique to the performance process. (2).
338. TECHNOLOGY LAB I. Hands-on practice in areas of theatre technology. Prerequisites Thea 271, 272. (Z grade).
339. TECHNOLOGY LAB II. Advanced work in areas of theatre technology. Prerequisites: Thea 271, 272. (Z grade). (2).
340. COLOR THEORY FOR DESIGNERS. Study of color
as it applies to conceptionalization and affects theatrical design. Prerequisite: theatre arts majors only. (3).
341. PROPERTY DESIGN AND CONSTRUCTION. Survey and study of property design and construction
techniques typically used by working artisans. Prerequisite: theatre arts majors only. (3).
350. EDITING TECHNIQUES. Exploration of single track and A/B editing techniques. Prerequisite: consent of instructor. (3).
351. FILM DIRECTING. Practical experience with directing dramatic material. Final project will be a completed short film. Prerequisite: Thea 350. (3).
359. TELEVISION PRODUCTION. Experience in creating documentary and other materials for television. (3).
364. MUSICAL THEATRE PRACTICUM III. Voice and movement studies for the musical theatre student. May be repeated once for credit. Prerequisite: theatre arts majors only. (3).
368. ADVANCED VOICE AND SPEECH I. Exploration of breath management, vocal dynamics, and articulation techniques to achieve flexible, natural, and evocative verbal communication in performance. Prerequisite: theatre arts majors only. (1).
370. INTRODUCTION TO SCENE DESIGN. Introduction to scenic design for the theatre with emphasis on script analysis, evaluations, and techniques of rendering. Prerequisites: theatre arts majors only. (3).
371. PERIOD PATTERNMAKING. Making patterns for period garments using flat pattern and draping techniques. Prerequisite: theatre arts majors only. (3).
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372. INTRODUCTION TO LIGHTING DESIGN. Introduction to lighting design with emphasis on script analysis, the functions of light for the production and the development of the light plot. Prerequisite: theatre arts majors only. (3).
374. INTRODUCTION TO THE HISTORY OF DRESS AND DECOR I. Survey of period styles in dress and decor as relevant to theatre arts from ancient Egypt to 1600. (3)
375. INTRUDUCTION TO COSTUME DESIGN. Introduction to costume design for the theatre with emphasis on script analysis, figure drawing and rendering, character definition and control of the design elements. Prerequisite: theatre arts majors only. (3). 376. BASIC PATTERN DRAFTING AND DRAPING. Study of essential techniques in creating basic sloper patterns and developing those patterns into modern or period garments. Prerequisite: Thea 273. (3).
377. INTRODUCTION TO THE HISTORY OF DRESS AND DECOR II. Survey of period styles in dress and decor as relevant to theatre arts from 1650 to the present. prerequisite: theatre arts majors only. (3).
378. THEATRE PRODUCTION TECHNIQUES V. Production practicum for theatre performances using traditional and advanced methods and technology. Prerequisite: theatre arts majors only. (3).
380.COLLABORATION PRACTICUM. Practical experience in the collaborative development of production concepts. May be repeated for credit. Prerequisite: consent of the instructor. (1).
385. INTRODUCTION TO THEATRE MANAGEMENT. Analysis and promotion, finance, and organization of educational, professional, and community theatre. Prerequisite: theatre arts majors only. (3).
386, 387. STAGE MANAGEMENT PRACTICUM III, IV. Work as production manager for a university theatre production. prerequisite: theatre arts majors only. (1, 1).
391. PRODUCTION STUDIES IV. Supervised projects in fundamental aspects of design and technical production. Formal critique of projects by design faculty. Prerequisite: theatre arts majors only. (3).
392. PRODUCTION STUDIES V. Supervised projects in fundamental aspects of design and technical production. Formal critique of projects be design faculty. Prerequisite: theatre arts majors only. (1, 1).
403. DIRECTED PERFORMANCE STUDIES. Individualized, directed study of performance and/or stage directing techniques and their applications. May be repeated once for credit. Prerequisites: Thea 210 or Thea 310 or Thea 482, and consent of the instructor. (3).
404. DIRECTED DESIGN STUDIES. Individualized, directed study of design and/or theatre technology topics and their applications. May be repeated once for credit. Prerequisite: theatre arts major and consent of instructor. (3).
410, 411. SENIOR PERFORMANCE STUDIES. Concentrated studio work involving period movement, verse analysis, and scene work drawn from period plays. Prerequisites: Thea 310, 311. (4, 4).
421. MUSICAL THEATRE HISTORY AND LITERATURE I. Studies in American musical theatre history and literature from 1850 to 1930. (3).
422. MUSICAL THEATRE HISTORY AND LITERATURE II. Studies in American musical theatre history and literature from 1930 to the present. (3).
440. COSTUME DESIGN FOR FILM AND TELEVISION. An introduction to costumes for feature films, television, commercials, and video. Prerequisite: theatre arts majors only. (3).
441. COSTUME SHOP MANAGEMENT. Introduction to functions of a professional costume shop, including budgets, fittings, working with designers, rentals, supervision of staff. Prerequisite: theatre arts majors only. (3).
463. MUSICAL THEATRE PRACTICUM IV. Voice and movement studies for the musical theatre student. May be repeated once for credit. Prerequisite: theatre arts majors only. (1).
465. MUSICAL THEATRE PERFORMANCE I. Basic techniques of performing in musical comedy. May be repeated once for credit. Prerequisite: theatre arts majors only, consent of instructor. (3).
466. MUSICAL THEATRE PERFORMANCE II. Practical experience in performance and production of musical comedy scenes. May be repeated once for credit. Prerequisite: theatre arts majors only, consent of instructor. (3).
468. ADVANCED VOICE AND SPEECH II. Continuation of Thea 368, with emphasis on verse and text from period plays. Prerequisite: theatre arts majors only. (1).
470. SCENIC DESIGN. In-depth exploration of the basic principles and techniques of scenic design with emphasis on conceptualization and composition. Prerequisite: theatre arts majors only. (3).
471. LIGHTING DESIGN. In-depth exploration of the basic principles and techniques of lighting design with emphasis on conceptionalization, color theory, and the physics of light. Prerequisite: theatre arts majors only. (3).
474. COSTUME DESIGN. A technical approach to costume design through an introduction to textiles, dyes, fabric modifications, and dressmaker details. Prerequisite: theatre arts majors only. (3).
475. CAD PATTERN DRAFTING. Introduction to the use of AutoCAD in drafting period costumes. Prerequisite: Thea 376. (3).
476. INTRODUCTION TO SCENE PAINTING. Introduction to the use of standard scenic painting media and techniques in traditional and modern scene painting. Prerequisite: Thea 275. (3).
478. ADVANCED COMPUTER-AIDED DESIGN FOR THEATRE. Practical use and application of computer-aided design programs in the scene design process. Prerequisite: Thea 275. (3).
479. COSTUME DESIGN FOR FILM AND TELEVISION. Explores designing costumes for film through discussion, projects, and in-class assignments. Prerequisite: theatre arts majors only. (3).
481. DIRECTING. Role and responsibilities in organizing and coordinating elements of play production. Prerequisite: theatre arts majors only. (3).
484. DIRECTING TECHNIQUES. Supervised studio projects to demonstrate proficiency in directing. Prerequisite: Thea 481, 482. (2).
487, 488. STAGE MANAGEMENT PRACTICUM V, VI. Work as production manager for an Ole Miss Theatre production. Prerequisite: theatre arts majors only. (1, 1).
491. PRODUCTION STUDIES VI. Supervised projects in fundamental aspects of design and technical production. Formal critique of projects by design faculty. Prerequisite: theatre arts majors only. (3).
492. PRODUCTION STUDIES VII. Supervised projects in fundamental aspects of design and technical production. Formal critique of projects by design faculty. Prerequisite: theatre arts majors only. (3).
499. SENIOR REVIEW. A capstone course assessing the attained knowledge of theatre for BA and BFA students. Course will cover theatre history, theatre literature, and career planning, including the structure and processes of professional theatre. Prerequisite: theatre arts majors only. (Z grade). (1).
Dance-DANC
151. BALLET I. Introduction to the technical principles and stylistic elements of classical theatrical dance, including study of basic ballet theory and vocabulary. May be repeated for credit. (2).
152. CONTEMPORARY DANCE I. Fundamentals of contemporary concert dance technique, emphasizing the development of strength, flexibility, and body alignment. May be repeated for credit. (2).
153. JAZZ DANCE I. Introductory study of theatrical jazz dance techniques through development of a standard jazz warm-up isolation work and locomotor movements. May be repeated for credit. (2).
154. TAP DANCE I. Introduction to tap dance technique, including study of basic tap vocabulary, fundamental rhythms, locomotor movements, and tap styles. May be repeated for credit. (2).
200. DANCE APPRECIATION. Survey of the history and development of the major dance forms: ballet, contemporary, jazz, and tap, as they relate to Western social and artistic culture. (3).
251. BALLET II. Continuing development of the standard technique and vocabulary of classical ballet, with emphasis on expanded barre work and center practice. (2).
252. CONTEMPORARY DANCE II. Continuing study of contemporary dance technique, focusing on primary dance elements (space, rhythm, force, shape) and movement qualities. Emphasis on musicality, individual expression and creativity. May be repeated for credit. Prerequisite: Danc 152. (2).
253. JAZZ II. Continuing study of jazz dance techniques and vocabulary and emphasizing development of strength, flexibility, control, and rhythmic accuracy. May be repeated for credit. Prerequisite: Danc 153. (2).
254. TAP II. Expansion and development of tap dance technique and vocabulary, emphasizing speed, control, precise articulation, rhythmic accuracy, and effective dynamics. Repeatable for credit. Prerequisite: Dance 154. (2).
255. THEATRE DANCE I. Development of a basic practical knowledge of choreographed movement in the musical theatre. Includes study of derivative musical/rhythmic forms and elementary Broadway dance vocabulary and styles. May be repeated for credit. (2.)
351. BALLET III. Progressive study of technical and theoretical principles of classical dance, emphasizing development of adagio and allegro vocabulary. May be repeated for credit. Prerequisite: Danc 251. (2).
352. CONTEMPORARY DANCE III. Progressive development of contemporary concert dance technique, including study of relevant choreographers, dance styles, and aesthetic value. May be repeated for credit. Prerequisite: Danc 252. (2).
353. JAZZ III. Progressive development of jazz dance technique through application of relevant music theory and consideration of space, dynamics, phrasing, and performance elements. May be repeated for credit. Prerequisite: Danc 253. (2).
354. TAP III. Progressive and continuing study of tap dance technique, emphasizing advanced-level floor work and syncopations. Includes study and comparison of major tap styles and aesthetics. May be repeated for credit. Prerequisite: Danc 254. (2).
355. THEATRE DANCE II. Continuing and progressive study of representative musical theatre dance styles, relative to period (1900 to present) and ethnic derivation. May be repeated for credit. Prerequisite: Danc 255. (2).
450. DANCE COMPOSITION I. An introduction to dance composition creatively and objectively through the basic elements of dance, time, space, and energy. (2).
451. BALLET IV. Progressive and continuing study of classical dance, emphasizing control, balance, strength, and coordination in mastering technical and stylistic elements of ballet. Prerequisite: Danc 351. (2).
452. CONTEMPORARY DANCE IV. Refinement and mastery of skills in contemporary concert dance through continuing in-depth study and evaluation of prominent modern dance theories, techniques, and choreographic approaches. Prerequisite: Danc 352. (2).
453. JAZZ DANCE IV. Progressive study of jazz dance techniques through a comparative study of styles and methods. Emphasis on technical proficiency and mastery of body isolation/coordination in rhythmic syncopations. Prerequisite: Danc 354. (2).
454. TAP DANCE IV. Refinement and mastery of tap dance skills, with emphasis on development of technique and styles of tap as a contemporary concert dance form. Prerequisite: Danc 354. (2).
455. DANCE COMPOSITION II. Continuation of Dance 450, focuses on theme and variation vs. motif and development, silence, sound, and music. Includes a final choreography project suitable for stage presentation. (2). Prerequisite: Danc 450.
456. THEATRE DANCE REPERTORY I. Development and performance of dance from the musical theatre repertory. May be repeated for credit. (2).
457. THEATRE DANCE REPERTORY II. Development and performance of dance from the musical theatre repertory. May be repeated for credit. (2).
458. CONCERT DANCE REPERTORY I. Development and performance of concert choreography. May be repeated for credit. (2).
459. CONCERT DANCE REPERTORY II. Development and performance of concert choreography. May be repeated for credit. (2).
461. BALLET V. Advanced study of classical ballet. (2).
471. BALLET VI. Advanced study of classical ballet. (2). |
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