EBook: Full Version
UM English Graduate Student Body Home Page: http://www.olemiss.edu/orgs/egsb/
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Editor's Statement
Welcome from the EGSB President
Who's WhoFeatures of the Department
Department Electronic Mailing/Memo Lists
Graduate Faculty
PublicationsDegree ProgramsYalobusha ReviewConferences and Lectures
Annotations
Mississippi Writers Page (website)
Jefferson City Broadside Society
Journal xSouthern Writers, Southern WritingOrganizations
Renaissance Conference
Faulkner & Yoknapatawpha
Savage Lecture
Grisham Series and Visiting Southern Writer-in-ResidenceEnglish Graduate Student Body
Graduate Student Council (Campus wide)
Sigma Tau Delta, the International
English Honor Society
Approaching the MAPolicies, Procedures, & ceteraAdmission RequirementsApproaching the Ph.D.
Course Requirements
Foreign Language Requirements
Thesis and defenseChoosing classes
Creating a doctoral committee
Choosing areas for comprehensive exams
Constructing lists for the comprehensive exams
Competing the comprehensive exams
Prospectus and defense
Dissertation
Conclusion
Appendix: Suggested timeline for completion of the Ph.D.
How to registerProfessional issues (New Chapter)
Transferring credit
Directed readings
Financial Assistance
Incomplete Grades
Grade Appeals
Travel money
ConferencesThe University
Publishing
Grants
Professional Societies
New Section--Professional Lists and Web Resources
How to Get an ID Card
The Library
Getting Connected to an Internet Service
Housing
University Dorms
University Village
Off-campus Housing
Utilities
Banking
Residency and voting
Health care
Child care
Pet care
Food
Entertainment
Bars
Movies and movie rentals
Readings and lectures
Plays
Outdoor Recreation
Physical Recreation
Top 10 Other Things to Do
The QPages: Living Gay in Oxford/Issues of Sexual-Political Freedom at Ole Miss
General Information
Helpful Numbers
OxfordSolicitation Warning
Memphis
Queer Theory/Gay & Lesbian Studies at Ole Miss
Bible Belt Mentality & Sexual Freedom
Two Questions Concerning Alternative Sexualities or Gender Constructs and Pedagogy:
Should an instructor “come-out” to his/her class?
What about your self-destructive or suicidal gay/lesbian/bi-/transgendered or sexually confused students?
| Editor's Statement:
It is my great pleasure to present this first edition of the EBook. The history of the book begins in the Spring of 1996, when the graduate students in English came together to form an official university organization, the English Graduate Student Body, in order to address the academic and social issues affecting us as scholars and members of the Ole Miss community. Creating the EBook was one of our immediate priorities. For a long time, we looked for a single source for authoritative information and advice about the degree programs and other aspects of our professional lives. In that same semester, the faculty authorized the EGSB to create a handbook for graduate study in English. EGSB president John Glass gave the job of creating the EBook to the Ad Hoc Committee of the EGSB, which it has been my pleasure to Chair this year. The committee decided that the EBook would not merely collect the policies and procedures, but would instead serve as a complete introduction to life as a graduate student in English at Ole Miss. To that end, you will find information about the department of English, the University, and living in Oxford. The book was co-written by a team of colleagues, using personal experience but also the collected institutional wisdom of several generations of students as the basis for what they wrote. Some of what you read will be in a professional tone, some in a more chatty voice. Taken as a whole, the EBook represents our best effort at making your entry into and progress through Ole Miss as smooth and successful as possible. This is only the first edition of a book that will necessarily change with the policies of the department and also with the experiences of the students. As a collective body, we learn more with each semester--with each course taken, each thesis written, each comprehensive exam passed, and each dissertation defended. Perhaps as you use this book in your own orientation to the department and the university, you can make the current EGSB aware of places where the book falls short of its lofty ideals. This first edition of the EBook was created by: Vince Brewton, Eric Cash, Kate Cochran, Debra Rae Cohen, John Cox, John Glass, Maggie Gordon, Dan Haley, Julia Haley, Kitty Keller, Jennie Lee, Julie McGoldrick, Michael Raines, Christina Riley Brown, Greg Brown, Brenda Robertson, and myself. Pete Froehlich, Editor |
The English Graduate Student Body has had a most productive first year. We have implemented a governing structure, elected officers, established a faculty seminar series, created mentoring programs for incoming English graduate students, held parties, raised funds, and have published an EGSB directory, monthly newsletter, and the book you are now holding, the EBook.
All of this was accomplished in our first year, but we have much left to do. We graduate students established the EGSB because we felt we needed a formal structure in which we could organize our voices and our concerns. It is easy to get lost in the university system, and the EGSB helps to maintain English graduate student solidarity by providing us an arena in which we can communicate with each other, with the department, and with the university community.
Any English graduate student is automatically a member of the EGSB. I encourage each of you, both incoming and veteran students, to get as involved as your schedule allows. We will be continuing our good work from last year, but there are always new concerns, as well. Some of the issues we will be looking at this year are: raising funds for travel awards, broadening our faculty seminar series, examining the systems of comprehensive exams and graduate instructor benefits, and creating an informational document about English faculty scholarship and involvement.
Any graduate student may serve on any internal EGSB committee and attend our full meetings. It is in your best interest to get involved -- with a particular issue, on a committee which seems worthwhile, or as an elected officer. This year I look to make the EGSB an even stronger and more comprehensive organization, and I hope that each of you will help me see that goal to its fruition.
Sincerely,
Kate Cochran EGSB President
EBook: the English Department
Post:
The Department of English
C128 Bondurant Hall
University of Mississippi
University, MS 38677
Department Home Page:
http://www.olemiss.edu/depts/english/
E-Mail:
engl@olemiss.edu
Who's Who in the English Department:
The Chair of the Department is Dr. Joe Urgo. The office of the Chair is the place to come with any and all administrative problems, questions about how to apply for financial assistance, what classes are being offered, how to apply for graduation, and much much more.
Mrs. Regina Jordan, the Department Secretary, holds the office just outside of Joes. Regina can set up an appointment for you, or she can often answer your questions herself. The following contact information applies to the office, not to Joe or Regina personally (the email address reaches both, for example).
English Department Office: Bondurant C128
Telephone: 915-7439
E-mail: engl@olemiss.edu
The Director of Graduate Studies is Dr. Jay Watson. Note: Jay is currently on a Fulbright; the Acting DGS is Karen Raber. See below for her contact information. The office of the DGS is the place to come with problems and questions that concern the curriculum of a graduate program. Jay advises graduate students about the courses they should take, suggests which professors they might put on their committees.
Bondurant C211
Telephone: 915-7671
E-mail: jwatson@olemiss.edu
The Director of Freshman English, a.k.a. the Director of Writing, is Dr. Steve Bellin. As DFE, Steve is responsible for developing the curriculum for Freshman English courses and overseeing the work of almost 50 English Graduate Instructors. Anyone interested in receiving a Teaching Assistantship should speak with Steve about the Freshman English Program and the role of Graduate Instructors in that program.
Somerville 209
Telephone: 915-3175
sbellin@olemiss.edu
Electronic Mailing/Memo Lists:
One of the most valuable tools available is email, which becomes more and more vital every year. Just a short time ago, all department communication was done on slips of photocopy, laboriously cut down and schlepped to everyone's mailbox (who had a mailbox--non-GI's were sometimes left out). Now, almost all department communication happens through three listservs (which are bulk mailing lists for email). These are English, Grapevine, and Engrad. There is also a general listserv for public literature matters, Sigmatd, run by the local chapter of Sigma Tau Delta, the International English Honor Society. Instructions on joining each of these follows the brief descriptions given below. Remember, everyone at UM has a University-provided email account, so there's no reason not to get on board. See the section on the University for more information on your Olemiss email account and web space.
The faculty's private list is English, or english@listserv.olemiss.edu. One must be at least a full-time instructor to be on this list, or perhaps even an associate professor. Graduates do not qualify for this list. It is the list that professors use to discuss matters of graduate studies which are sensitive and confidential, such as admissions, graduate seminar paper awards, or other department honors.
The department's general business list is Grapevine or grapevine@listserv.olemiss.edu. It is open to all professors, instructors, or graduate students, as well as the department secretaries. It is the most vital list for graduates, as advising schedules, information on scholarships or grants, and employment opportunities all come through this channel. Graduate instructors and teaching assistants must be on this list, as job-related information comes almost exclusively through this forum--as mentioned before, the paper memo in the mailbox is largely extinct here. This list is used also for undergraduate teaching matters, such as plagiarism cases; therefore, undergraduates are not allowed on this list. Because it is restricted, all requests to join Grapevine are subject to approval. For this reason, the easiest way to get on the list is to write the moderator, at owner-grapevine@listserv.olemiss.edu, identifying yourself and requesting that your address be added to the list.
The English graduate students' private list is Engrad, or engrad@listserv.olemiss.edu. Only English graduate students may be a member of Engrad. This is where we discuss (more or less openly) graduate classes, policies, and professors. It's a place to organize parties or just to bitch. Because it is restricted, all requests to join Engrad are subject to approval. For this reason, the easiest way to get on the list is to write the moderator, at owner-engrad@listserv.olemiss.edu, identifying yourself and requesting that your address be added to the list.
The most general list, open to anyone with the desire to join, is sigmatd@listserv.olemiss.edu. Visit the local chapter Sigma Tau Delta web site, http://www.olemiss.edu/orgs/sigmatd/ to join. Local readings and chapter events are posted on this list.
You may feel overwhelmed if you join all of the lists which your status allows, but be assured that it is worth it. Learn some automatic sorting rules, if your email program allows that, and don't fear the DEL key. Some chaff always accompanies the grain, but you will find some invaluable information in these lists which you won't get any other way. If you've got your email ready, join right now.
Ole Miss has a relatively small department, with a high concentration of young, well-published, and productive scholars. You will find many of the faculty members very accessible and committed to fostering the development of graduate students' careers. Here, in their own words, are the graduate faculty introducing their teaching and research interests. (New faculty will be adding sections here soon.)
Jack Barbera
Office: Bondurant W209A | Phone: 915-7183
Email: jvbarber@olemiss.edu
I teach Modern American Drama, Film, and 20th Century Poetry courses. My dissertation was on the American poet John Berryman, about whom I've published several essays. I have co-authored a biography of the English poet Stevie Smith and at present I am especially interested in the African-American poet, Robert Hayden. In American Drama, besides the major figures (O'Neill, Williams, Miller and Albee), I'm interested in such contemporary playwrights as David Mamet, Tina Howe, and August Wilson. I have written articles on Mamet and reviewed his plays. I'm also interested in the South African playwright Athol Fugard and I have guest edited a special issue of Twentieth Century Literature devoted to his work. My interest in film embraces directors from Hitchcock to Bergman to Spike Lee. I've published an essay on the film Tomorrow, and my Introduction to Film syllabus has been published in a book on selected college film syllabi.
Office: Croft 114 | Phone: 915-7758
Email: dbarker@olemiss.edu
My areas of interest include feminist criticisms and nineteenth and twentieth-century American literature. More specifically I am currently working on issues of aesthetics in the fiction of nineteenth-century American women writers. I focus on novels that feature a woman artist as heroine. Other areas that I pursue are African-American literature, Southern women writers and detective fiction.
Office: Ventress 208 | Phone: 915-7177
Email: mdean@olemiss.edu
I am interested in British and American literature of the twentieth century. I have taught courses at Ole Miss on Henry James and Philip Larkin; in addition, I have regularly taught a course called "Contemporary Literature" that concentrates on British and American poetry, fiction, and drama of the period 1945 to the present. I have been involved with various programs sponsored by the Center for the Study of Southern Culture, and I have taught on occasion a course for the English Department on "Images of the Southern Plantation in American Literature." At Ole Miss I have directed theses and dissertations on literary figures such as Edwin Muir, Barbara Pym, Anne Tyler, Wendell Berry, W.S. Merwin, John Updike, and James Hanley.
Office: Bondurant 207W | Phone: 915-7914
Email: bafennel@olemiss.edu
My primary field of interest is modern and contemporary poetry, with gender studies and creative nonfiction as strong secondary interests. My training as a reader involved a study of all of the major periods of English and American verse, and my on-going training as a writer still leads me back to a wide range of writers, though contemporary female poets are those I turn to, and teach, most frequently.
Office: Bondurant C130 | Phone: 915-7672
Email: bfisher@olemiss.edu
My interests, as reflected in teaching (including theses and dissertations) and research-publication since the 1960s, center in nineteenth-century studies, although I feel comfortable teaching American literature from the beginnings to the 1940s. My particular specialties are fiction, American drama to 1900, Gothicism, realism, and naturalism. I'm also interested in Victorian-Edwardian literature, chiefly the poets and fictionists, with concentrations in Tennyson, Meredith, the Pre-Raphaelites, the 1890s, the Housmans, and the short story at the turn of the century. I also work repeatedly with detective-mystery-crime writers and with bibliographical and textual studies. Regarding individual figures: Poe, Hawthorne, Melville, the Transcendentalists, Louisa May Alcott, Frank Norris, Mary N. Murfree, Mary E.W. Freeman, Sarah Orne Jewett, Edith Wharton, Amelia Edwards, George Egerton, Ella D'Arcy, Hubert Crackanthorpe, Frederick I. Anderson. Short-story and poetic theory, literary periodicals, and nineteenth-century humor are also priorities.
Office: Bondurant C212 | Phone: 915-5929
Email: afwirth@olemiss.edu
My primary fields of interest are twentieth-century American literature, British and American women writers, feminist theory, Modernism, American poetry, and creative writing (poetry). My first book is on William Carlos Williams; my second will be on Willa Cather; and I have published essays on Williams, Cather, Anita Brookner, Louise Gluck, and Linda Gregg. I also write and publish poetry and am at present working to expand our offerings in creative writing and in the study of twentieth-century American poetry.
Office: Bondurant C134 | Phone: 915-7674
Email: dgalef@olemiss.edu
I'm an associate professor specializing in 20th-century British literature and creative writing. I've published numerous essays on British Modernists such as Joyce, Woolf, Forster, Conrad, and T.S. Eliot, as well as a book on character theory. In addition, I've written a children's book, a novel, popular essays, and over sixty short stories in a wide range of periodicals.
Office: Barnard 302 | Phone: 915-7145
Email: jrhall@olemiss.edu
I am a medievalist and (still better) a traditionalist. My principal research areas are Old English Poetry, especially religious verse, and the history of Old English scholarship. For the past twenty years I have reviewed scholarship devoted to Old English verse for "The Year's Work in Old English Studies," published by the Old English Newsletter. Among my present research projects are an edition of Georg Blaettermann's letter to Thomas Jefferson, written in 1824 (on teaching Old English and other languages at the University of Virginia), and a study of early scholars and the Beowulf manuscript. The courses I have recently taught include advanced English grammar, a survey of English literature from the Old English period through Samuel Johnson, a survey of Old English and Middle English literature, Chaucer, and Old English grammar and readings.
Office: Bondurant W205A | Phone: 915-6949
Email: 6batsx2@watervalley.net
I am always looking for prose of adventurous dimension, to be collected in a forthcoming anthology. I read, most avidly, prose fiction from all students in this effort to make of Ole Miss a signally unique writing environment and showcase. My own ventures in fiction continue apace, with barely a let-up for thirty years now.
Office: Bondurant C213 | Phone: 915-7333
Email: egkamps@olemiss.edu
I study and teach literature of the English Renaissance, especially the drama and poetry. Since I believe that Renaissance literature was part of a much broader cultural field--that included the other arts, politics, historiography, patronage, propaganda, etc.--I always try to determine its meaning in historical context. At the same time I am influenced by current critical concerns about questions of gender, class, and ideology. Hence, my teaching and research reflect an effort to arrive at a sensible mix between a respect for history as well as contemporary issues.
Office: Bondurant W209B | Phone: 915-5793
Email: dkartiga@olemiss.edu
The bulk of my graduate work was in American Literature, from the beginnings to the present, both of which have expanded in the 30 years since I received my Ph.D. Still, I consider myself primarily an Americanist, with a strong emphasis on 20th-century fiction and poetry, reasonable strength in 19th-century, and steadily diminishing acquaintance with Colonial and pre-. For purposes of working with graduate students with the hope of bringing them more or less abreast of current critical practice, I am a Modernist: American and British literature, some European, theory and intellectual history, from the Romantic period through the first half of the 20th century. While Faulkner has been a central research concern, I have always tried to see him in the context of, and to bring to bear upon my study him, the major Modernist writers and thinkers: Nietzsche, Bergson, Freud, Wordsworth, James, Conrad, Joyce, Lawrence, Woolf, Kafka, Mann, and as much of the whole American tradition as I can grasp, from Puritan theology to Hawkes, DeLillo, Erdrich, Hannah, etc.
Office: Bondurant C214B | Phone: 915-7050
Email: egcolby@olemiss.edu
I have specialized training in eighteenth-century studies with an emphasis on "Samuel Johnson and His Circle," drama, satire, biography and autobiography. I have published extensively on James Boswell, Samuel Johnson, and William Hogarth. Interested in drama of all periods, I have specific training and publications in the area of modern drama, serving as co-editor of a leading journal in modern American drama (published by Ohio State University Press) and having produced a two-volume reference work on theatre companies of the world (published by Greenwood Press). Another of my interests is popular culture, humor, and satire, areas in which I am also a published scholar. During the 1980's I acquired specialized training in the area of composition and rhetoric by taking the "Martha's Vineyard Summer Workshop on Teaching Composition," Purdue University's "Rhetoric Seminar," Rensselaer Polytechnic Institute's "Technical Writing Institute," and the University of Michigan's "Technical Writing and Professional Communication Program." Researching various aspects of the writing process, I have also published articles and given a number of presentations on this field at CCCC, NCTE, Kansas Association of Teachers of English, and Mississippi Council of Teachers of English.
Office: Bondurant W210 | Phone: 915-5500
Email: wgbwm@olemiss.edu
As professor of English and holder of the Ottilie Schilling Chair of English Composition, I both study composition as an interdisciplinary field and direct the university's writing program. I teach writing to undergraduate students and writing theories and teaching practices to graduate students. My publications include two composition textbooks and two editions on composition theory and practice, as well as journal articles and chapters contributed to collections. I am especially interested in issues involved in teaching composition, such as the authority of knowledge in a writing classroom, collaborative learning, the relation of reading to writing, and assessment of writing.
Office: Bondurant C129 | Phone: 915-7161
Email: kmckee@olemiss.edu
I study and teach American Literature before 1900 and Southern literature of all periods. I have a joint appointment between the English Department and the Center for the Study of Southern Culture, which allows me to teach both traditional literature courses and interdisciplinary classes, often team-taught with other Southern Studies faculty members. I am particularly interested in Southern women writers. My current project examines the use of humor in the work of Southern female writers between 1875 and 1910 and establishes a tradition of humorous writing by Southern women. I have published articles about Nathaniel Hawthorne, Ellery Channing, Kaye Gibbons, and Josephine Humphreys.
Office: Bondurant C133 | Phone: 915-7049
Email: kraber@olemiss.edu
I write on the construction of gender in early modern literature: I look at the various discourses--legal, philosophical, political, medical--which attempt to describe gender in conjunction with material practices that govern how gender differences can be expressed, complicated, or redefined. My most recent work has combined this approach with an analysis of the formal constraints of literary genre in the closet dramas of Mary Sidney, Elizabeth Cary, Margaret Cavendish and their male contemporaries Samuel Daniel, Samuel Brandon, Fulke Grecille, and Thomas Killigrew. I tend to look at how texts written by women and those written by men create a dialogic exchange on the subject of gender, but I am also interested in the ways in which gender and class categories are appropriated and transformed by writers of either sex. In addition to my work in early modern literature, I am also interested in feminist theory, gay and lesbian studies and queer theory, new historicism and/or cultural materialism.
Office: Somerville 301 | Phone: 915-7678
Email: tjray@olemiss.edu
My primary training is in medieval literature and languages, my favorite course being the history of the English language. I also enjoy grammatical analysis and courses that allow that pursuit. In recent years I have spent more and more time developing computer modules for the teaching of composition and language. Much of my time is given over to training teachers to use computer technology to enhance their teaching.
Office: Bondurant C217 | Phone: 915-7684
Email: djr@olemiss.edu
I was hired in 1989 to teach critical theory, but I like to take that term as broadly as possible to mean thinking critically about anything--from literature to translation, from ideology to interpersonal relationships, from genre to gender. My publications are in the fields of American literature (especially the 19th and 20th centuries), translation theory, language theory, gender theory, and psychoanalytic theory; my overriding research interests lie in language and the body (the somatics of language) as the axis of mediating between social norms and individual behavior. I've taught courses at Ole Miss in twentieth-century language theory, gender theory (men's and women's studies, team-taught with Sherrie Gradin), psychoanalytic theory, the Bible as literature, and American literature.
Office: Bondurant W211 | Phone: 915-7675
Email: eggas@olemiss.edu
I am primarily interested in Irish studies and 20th-century British literature. My interest in Ireland certainly includes modern Irish literature and the major figures associated with it--Yeats, Joyce, and Beckett, for example--but I am also working on 18th- and 19th-century Irish writing. I am particularly interested in the relationship between literature and social/political history. My current major research project, a history of Irish poetry from Swift to the present, reflects as well a general interest in literary history.
Office: Bondurant C136 | Phone: 915-7668
Email: nschroed@olemiss.edu
My fields of interests include Victorian, the Novel, and Women's Literature. My teaching areas include Victorian Literature, Dickens, Women's Literature (British and American--19th and 20th Century), Sensation Fiction, Victorian Novel, Popular Literature (bestsellers with focus on gender relationships). My research includes published articles on Regina Maria Roche, Charles Dickens, Walter Pater, Wilkie Collins, W.H. Ainsworth, Ouida, M. E. Braddon, Stephen King, and Tom Robbins. I am currently working on a book which focuses on treatment of women in the fiction of Ouida and Braddon in collaboration with Ronald A. Schroeder.
Office: Bondurant C218 | Phone: 915-7673
Email: egras@olemiss.edu
My primary teaching interests are in the English Romantic Period. I enjoy teaching the survey of Romantic Literature (English 555) and the special topics in the period (English 655: Studies in Romantic Literature) on a regular basis. The survey mostly covers a broad range of Romantic poetry, with only a little fiction and non-fiction prose; but in the seminar, I have dealt with individual poets-- notably Lord Byron-- with a wide variety of Romantic fiction, and with various approaches to eighteenth-century "pre-Romantic" literature. In addition, at the undergraduate level, I teach courses in fiction (The Novel) and expository writing (Advanced Composition). My research interests are also primarily in Romantic literature (again, notably with the poetry of Lord Byron), but recently I have been working in collaboration with Dr. Natalie Schroeder on Victorian fiction.
Office: Bondurant C125 | Phone: 915-7687
Email: jurgo@olemiss.edu
My training is in American Studies, and I work in 19th- and 20th-century American literature and culture. I have been particularly interested in the ways in which the texts we read, teach, and perpetuate as canonic influence our conception of the real and affect the way we think about social issues. This reverses the more common American studies concern with knowing art in its social and political context; I want to understand how art produces context--how the literary aesthetics we value inform the structures of living. Much of my scholarship has been driven by this question, especially Novel Frames: Literature as Guide to Race, Sex and History in American Culture. I've worked extensively on two major 20th-century authors, Willa Cather and William Faulkner, with monographs (Faulkner's Apocrypha; Willa Cather and the Myth of American Migration) and articles on each figure. More recently, my interests are in the 19th-century, where I am drawn to major figures such as Herman Melville and Harriet Beecher Stowe. I am also concerned with the environment of educational institutions, which accounts for my work as department chair, and I have written as well (In the Age of Distraction) on the technological ecology in which we do our work as teachers and scholars.
Office: Bondurant C211 | Phone: 915-7671
Email: jwatson@olemiss.edu
My teaching and research interests revolve around the following broad areas and the points of intersection between them: Southern literature and culture (especially in the twentieth century); the literature of the Vietnam War; law and the humanities; legal theory and literary theory; legal history and the history of the legal vocation; narrative and narratology; issues involving modernism as a literary, cultural, or philosophical movement; and semiotics. I am also particularly interested in the work of a number of individual writers; William Faulkner, Flannery O'Connor, Walker Percy, Robert Penn Warren, Carson McCullers, Zora Neale Hurston, Eudora Welty, Cormac McCarthy, and Richard Wright.
Office: Bondurant C214A | Phone: 915-3172
Email: egdew@olemiss.edu
My primary research and teaching interests
are in early American print culture. Working with a variety of texts that
extend from the early seventeenth century to the mid-nineteenth century,
I have focused much of my research on such canonical figures as Cotton
Mather and Ben Franklin and, additionally, on non-canonical texts, particularly on such popular forms as providence narratives, captivity narratives, criminal narratives, and Revolutionary narratives. Influenced by reader-response criticism and reception theory, I especially am concerned with the contextual relationships between writers, printers, and readers. Most of my publications have attempted to understand how literary texts functioned in early American society and have discussed the correlation between political, social, and cultural issues with literature. I also am interested in narrative theory, autobiography, American poetry, and Mark Twain.
EBook: Features of the English Department at Ole Miss
Outside of the classroom, the department offers a number of ways for graduate students to work with one another, to exchange ideas, and to gain significant professional experience.
1. The Yalobusha Review is an annual journal of fiction, poetry, and essays edited by graduate students from the department. The journal publishes the winners of the Ella Somerville creative writing awards and solicits other contributions from the university community and beyond. An annual reading commemorates the publication of the Review. Past issues have included the work of local writers Barry Hannah, Larry Brown, and Cynthia Shearer as well as that of many graduate students. Anyone interested in working on the Review should speak with Dan Williams. Submission information can be found in the EGSB newsletter and posted across campus and Oxford during the Spring semester.
2. Annotations, the department newsletter, is published biannually and distributed to the university community, graduates, and friends of the department. As such, it provides a picture of the department keyed to outsiders rather than serving as a source of information within the department itself. It nevertheless provides graduate students with the opportunity to research, write, and publish articles about the department and its activities. Research Assistants usually perform the bulk of the editorial duties.
3. The Jefferson City Broadside Society is a department-sponsored public poetry project. "Selected poems will be distributed and displayed throughout Oxford and The University of Mississippi. Help us celebrate public poetry!" Submit up to three poems to Blair Hobbs, English Department, Bishop Hall, University MS 38677. Please include a self-addressed stamped envelope with your submission and type each poem.
4. The Mississippi Writers Page (http://www.olemiss.edu/depts/english/ms-writers/index.html) is an on-line source of biographical, critical, and bibliographical information about writers who have written in or about Mississippi. If you would like to contribute to the page, check out the site and contact graduate student John Padgett, the site's originator and coordinator, at egjbp@olemiss.edu .
5. Journal x. Each semester, one graduate student is tapped to help with this new biannual journal of literary and cultural studies edited by professors Ivo Kamps and Jay Watson. Graduate students handle circulation and may be asked to proofread or perform other minor editorial tasks; for this contribution, they are listed on the masthead as business managers or editorial assistants.
1. Southern Writers, Southern Writing was organized in 1994 by graduate students in the departments of English and Southern Studies as a forum for the exchange of ideas about Southern literature and culture. Held the weekend prior to the Faulkner and Yoknapatawpha Conference (see below), the conference has attracted graduate students from across the region and nation. In addition to the academic proceedings, conference highlights have included readings at Square Books, tours of Oxford and the region (including Faulkner's home, Rowan Oak), and other social activities. Graduate students are urged to participate in the conference, whether as presenters, organizers, or volunteers. Email: swsw@olemiss.edu; web pages and published catalogue of presentations: http://www.olemiss.edu/conf/swsw/.
The Renaissance Conference This section needs to be written; please send your information to the EBook editor if you have any.
2. Faulkner & Yoknapatawpha Conference. 1995 saw the first UM graduate student presenter at this prestigious, long-established, annual conference. Readers and teachers of Faulkner from around the globe come to Oxford for this week-long series of lectures and panel discussions by literary scholars and creative writers. UM graduate students may attend the lectures for free, and many participate as conference staff.
3. The James Edwin Savage Lecture in the Renaissance. Established in 1972 to honor Professor Savage, long-time member of the faculty and department chair, this public lecture series has brought such luminaries in Renaissance studies as Louis Montrose, Gary Taylor, and Jean Howard to the University of Mississippi. The Department as a whole generally turns out for this event which is now linked to the annual Renaissance Conference.
4. The John and Renee Grisham Visiting Writers Series brings famous American writers to campus for public readings and, often, meetings with faculty and graduate students. Past lecturers include Madison Smartt Bell, Charles Simic, Robert Hass, and Jane Hirshfield. The Grishams have also funded a Visiting Southern Writer in Residence who gives several readings during his or her tenure as visiting professor of creative writing. This program has brought to campus T.R. Pearson, Marc Richard, Mary Hood, Tim Gautreaux, and Randall Kenan.
1. English Graduate Student Body. In
the Spring of 1996, graduate students in the English Department formed
an officially-recognized student organization, the English Graduate Student
Body (EGSB), in order to address the academic and social issues affecting
us as scholars and members of the Ole Miss community. This organization
makes a number of leadership and service positions available to graduate student in English. The students who are part of the EGSB leadership gain honor and respect from this service, and have an integral role in the evolution of our department and even the University. See "Contacts" in the EGSB web site for a list of current officers to contact, if you would like to know more, or write egsb@olemiss.edu.
2. Associated Graduate Student Body
(AGSB). The AGSB meets to articulate the specific needs of graduate
students within the university student body. In recent years, the representatives
from the English Department have met with Graduate Instructors from other
departments to voice opinions about library services, student fees, and
other issues germane to graduate studies. The EGSB selects two representatives
to the AGSB.
3. Sigma Tau Delta. Sigma Tau Delta
is the international English honors society. Every graduate student is
eligible for membership. The university's chapter sponsors social events
and offers opportunities for graduate students to take part in fiction
and poetry readings as well as Sigma Tau Delta's annual national conference.
For more information, email sigmatd@olemiss.edu
, or visit the website at
http://www.olemiss.edu/orgs/sigmatd/.
EBook: Degrees Approaching the Master's
Degree at Ole Miss: Approaching the Ph.D.
in English at Ole Miss: Appendix: The Graduate Studies Committee's
Ph.D. Timeline
Ann Fisher-Wirth
Director
of Graduate Studies,
English
EBook: Policies, Procedures, &c of the English Department and Ole Miss How to Register:
There are three publications that detail
the course offerings at the University. Although the Graduate School Catalog
lists all the courses potentially offered by the department, with a brief,
general description of each, you will find that many of these courses are
never offered, as these descriptions were written up over a decade ago.
The Registration Bulletin, which is published each semester by the University,
lists all courses (including meeting times & days, and instructors)
offered by all departments. (This Registration Bulletin also contains guidelines
for the registration process so its good to have one handy when you sit
down to register.) The bulletin lists courses by number (English 569),
course code (which you need to register over the phone), and title. This
information is potentially misleading however, as "Topics in American Literature"
could apply to a number of different syllabi. So, for full information,
look to the English Department's own Course Description booklet, which
is published every semester and which lists all its undergraduate- and
graduate-level classes, and provides professors' descriptions of the classes
they are teaching.
The U of M employs a telephone registration
system (915-RSVP [7787]), referred to as RSVP. In order to access this
telephone system, you must have an ID number (usually your Social Security
#) and a PIN (which changes every semester). To get your PIN, you must
see Ann Fisher-Wirth, the Director of Graduate Studies. Shortly after mid-term,
Ann holds pre-registration conferences. Although faculty members do their
best to announce these conferences in their seminars, it is ultimately
your responsibility to sign up for a conference, on a sheet posted outside
Ann's office door (Bishop 335). Use this time to discuss with her your
progress toward the degree (for instance, fulfillment of requirements,
projected time-lines), as well as the courses you have selected for the
following semester; during this conference, Ann will give you your PIN
so that you may pre-register.
It is also possible to register for classes
at the beginning of a semester; first-time graduate students, for example,
will receive PINs and ID numbers at the beginning of their first semester.
It is more expedient to pre-register, because the University will then
have time to process your paperwork and to send confirmation of your schedule
and your anticipated financial aid by mail, relieving you of the necessity
of going to the Turner Center. If you receive financial assistance from
the department in the form of a Graduate Instructorship or Research Assistanship,
it will be reflected on your University bill. If your assistance does not
show up there, you'll need to contact the English department; this is usually
an indication that there's been a snag in your paperwork and it is the
department's responsibility to amend the situation.
We recommend that you try to avoid the
Turner Center if at all possible, as the lines are long, the progress confusing,
and you have better things to do with your time. If the only reason for
you to go to the Turner Center is to pick up your Financial Aid check,
and time is not absolutely of the essence, you can wait and pick up your
check from the Bursar's office later in the week.
If you miss the pre-registration period,
or pre-register but fail to pay your fees, you must register via the telephone
at the beginning of the following semester, then proceed to the Turner
Center where schedules are finalized, fees assessed, and financial aid
dispersed. This is also the time to get your parking sticker.
If you wait until the Turner Center registration
period passes, you will incur a late registration fee of $50 for each day
after the deadline.
Transferring Credit:
Students enrolled in any graduate degree
program and who have completed at least 12 hours of course work at Ole
Miss may petition the Graduate Studies Committee (GSC) for acceptance of
transfer credit from work completed at another recognized and accredited
institution. MA students may transfer up to six hours. Ph.D. students may
transfer up to nine hours. Transfer credit can only be awarded for grades
of B or higher. Upon the recommendation of the GSC, the Graduate School
will review the petition and adjust the student's transcript. Only in exceptional
circumstances will the Graduate School not follow the GSC's recommendation.
To request a credit transfer, submit to
the Director of Graduate Studies the following items: a written statement
of your request and your reasons for making it; an official transcript
of work completed at the institution from which credit is being transferred;
a description of each course for which credit is being requested. (A syllabus
from each course is best.)
Several other stipulations established
by the Graduate School apply to transferring credit: transferred course
hours must have been completed within the past six years, and the institution
from which credit is being transferred must offer a graduate degree in
the field in which the work was completed. Directed Readings:
Students in the graduate programs in English
are allowed to complete up to six hours of course work through the completion
of Directed Readings, courses organized around a specific topic, proposed
by the student and carried out under the supervision of a faculty member.
They are generally designed to fill in holes in the graduate course curriculum,
to replace seminar-level courses which either do not exist or have not
been offered in a consistent or timely manner. The student must find a
faculty member to direct the study, create a syllabus for the course, and
construct the reading list and course requirements. The application requires
the approval of both the Graduate Studies Committee and the Department
Chair.
Applications for the Directed Reading
course are available from the Director of Graduate Studies and specify
that the student provide the following information:
--DESCRIBE YOUR PROPOSED PROJECT (Indicated
clearly and specifically what you intend to study in the Directed Reading,
and why.)
--DESCRIBE YOUR PROJECT'S
SIGNIFICANCE IN LITERARY STUDY (For example, what makes the material you
propose to study significant, or worthy or three hours of graduate credit?)
--EXPLAIN
HOW THIS DIRECTED READING FITS INTO YOUR DEGREE PROGRAM (Why is this reading
important to your personal course of study? How does it relate to other
courses you have taken or plan to take, or to your examination fields,
or to your plans for a thesis or dissertation?)
--COURSE
REQUIREMENTS (Indicate how often you will meet with your Faculty Director
and what writing and other work you will perform in the course.)
--PLEASE
ATTACH A COMPLETE READING LIST ON A SEPARATE PAGE
As these questions indicate, application
for a Directed Reading requires a great deal of preparation, research,
and forethought on the part of the applicant and should not be undertaken
lightly. Perhaps the greatest difficulty in undertaking one of these projects
is locating a faculty member to direct the course as their service in this
area is strictly voluntary; they are not paid for the extra preparation
and classroom time involved. While many faculty members have enthusiastically
accepted this extra workload, students who request a Directed Reading should
realize that the faculty member will expect a level of responsibility and
commitment that exceeds that expected in the typical seminar class.
Financial Assistance:
There are currently three forms of financial
assistance available to graduate students in the English Department: Research
Assistantships,Teaching Assistantships, and dissertation fellowships. If
you are interested in any of these, you should clearly indicate that interest
in your letter of intent, although you may also apply after entering a
degree program.
The Research Assistantship is usually
granted to those graduate students who are selected for assistance but
who lack the number of graduate hours required for a Teaching Assistantship.
R.A.s work in the English Department and Freshman English offices and are
assigned other specific tasks (usually to help individual professors with
their research needs) by the department chair. R.A.s receive a tuition
waver and earn approximately $7000 per year. Most R.A.s receive Teaching
Assistantships once they have acquired the requisite 18 hours of graduate
credit, depending on their performance in courses and the number of T.
A. positions available.
A Teaching Assistantship is available
to graduate students who have taken at least 18 credits of graduate credit
at any university. Graduate Instructors receiving the T. A. are provided
with a tuition waiver and a stipend beginning at $7000 per year. Students
may hold the Teaching Assistantship for up to three years in the Master's
program and up to six years in the Ph.D. (The sixth year is available only
to students who have completed all the requirements but the dissertation
within 5 years of beginning their doctoral work--so if you only received
your assistantship during your second year on campus, the sixth year would
not be available to you.) A limited number of summer instructorships become
available to Graduate Instructors. The semesters are short and the pay
is good: $2500 for one month's work. Application is made to the department
chair and competition is tough; the supposition is that no student will
receive summer support two years in a row.
Graduate students who are awarded a Teaching
Assistantship are required to attend the Freshman English Program's teaching
workshop (held the week before the semester begins) and to take English
617, Teaching College English, during their first semester of teaching.
It is recommended that graduate students wait to take 617 until they have
been granted the Teaching Assistantship and are teaching at Ole Miss. Graduate
Instructors teach two courses per semester, beginning in the first year
with Freshman Composition 101 and 102. After the first year, instructors
are eligible to teach sections of sophomore literature classes: 200, An
Introduction to Literature; 205, Masterworks of British Literature; 206,
Masterworks of American Literature; and 210, Masterworks of World Literature.
As teachers of record, Graduate Instructors are responsible for the content
of their classes, working within the guidelines set forth by the Freshman
English and Undergraduate Studies Committees and as set forth in the Undergraduate
Catalogue. Graduate Instructors create their own syllabi, hold classes
and office hours, and issue midterm and final grades. Each Graduate Instructor
shares an office in Somerville Hall with a colleague.
In 1997-1998, the English Department began
to offer one-semester fellowships to students working on their dissertations.
These fellowships pay a $4000 plus a partial tuition waver (the portion
of the tuition figure that represents the fees are not paid). Application
for these fellowships is made during the Spring semester. In addition,
the department usually offers several one-course teaching reductions to
runners-up in the Fellowship competition.
Incomplete Grades:
While it is possible to negotiate with
your professor to take a grade of Incomplete (I) for the semester, thus
deferring the required completion of the seminar paper until the end of
the next semester, we strongly urge you to avoid doing so. Incompletes
are a good idea if you fall ill, get divorced, or face a similar life trauma.
They are not a good idea as a general rule because: a) most students don't
begin work on the incomplete until they are already involved in the next
semester's work; b) they tend to create a domino effect, as each semester's
work is put off until the next; and c) deservedly or not, too many incompletes
can earn you a reputation among the faculty for a lack of seriousness.
If you must take an incomplete, we advise you to complete the paper as
soon as you can--between semesters if possible.
Grade Appeals:
It is rare for a graduate student to appeal
a grade and even more rare for an appeal to succeed. When you undertake
to appeal a grade, you should recognize that the university's presumption
is always in favor of the professor and the burden of proof of "arbitrary
or capricious action" is always on you. Moreover, in a small department
like ours, you should think seriously before cutting yourself off from
a professor whose cooperation you may need at a later date. That said,
there may come a time when you feel the need to make use of your right
to appeal. What follows condenses the language on the subject from the
University's M Book, which gives more detailed language about the
time periods within which certain actions must be taken.
Step One: The first step is to make an
appointment with the professor whose grade you are disputing. You should
bring to that appointment a copy of your paper and a prepared list of questions
for the professor. You might also choose to record the conversation in
order to prepare a follow-up letter and to provide evidence of the conversation
for the following steps.
Step Two: If you are not satisfied with
the professor's explanation, you may appeal in writing to the department
chair. The appeal must be completed within 45 calendar days from the beginning
of the next regular semester after the one in which the grade was received.
You should include in your appeal the follow-up letter you sent the professor
after your meeting. The department chair will consult with you and with
the faculty member in order to attempt to resolve the matter. He may also
consult with other faculty about the matter.
Additional steps: If the chair of the
department does not resolve the appeal to your satisfaction, you may send
the appeal on to the Dean of the Graduate School and beyond, to the Academic
Appeals Committee and the Vice Chancellor for Academic Affairs. These steps
involve complicated procedures for which you should consult the M Book.
This is precisely the same procedure for undergraduate appeals against profs and, more importantly for you, against graduate instructors. --ed.
B. Travel Money. There is a limited amount
of assistance available for graduate students who are traveling to deliver
papers at a professional meeting. The English Department offers each student
a travel award of $50 each year. In the past, the Graduate School has awarded
$100 for national meetings and $50 for regional meetings, but this funding
is currently threatened. Graduate students have also had success in isolated
instances appealing to various other departments and deans across campus.
These instances usually involve special needs, minority status, or projects
that the administration feels merit special consideration. Supplementary
travel funding is sometimes available to grad students through the Associated
Graduate Student Body. Your correspondence
on the matter should be directed to the President of the GSC (Graduate Student Council, formerly the Associated Graduate Student Body) and should
supply the following information: total expenses; the amount already funded
(by the department and the Graduate School, for example); the amount needed
for the trip; the abstract of your presentation; and a cover letter stating
your situation.
Phoning the GSC offices to contact people is pretty much
a lost cause--try http://savant.bus.olemiss.edu/gsc/ instead. (You'll note the organization's bias from the server domain.)
If you are approved for funding by the
AGSB, they will notify you in writing and request that you submit a Travel
Voucher and appropriate receipts to the Dean of Students' office (Union
422) for processing. You can get Travel Vouchers in the department office
in Bishop 309 or from the
Dean of Students
office (Dot is probably the person you'll need to talk to). This year (1998)
was the first that the AGSB was an option for funding, so the processes
and personages involved may evolve over the next year or so. The EGSB elects
two people as AGSB reps each year so these
people
will probably be good sources of updated information. This year, the AGSB
reviewed applications in March and checks (averaging about $150.00 per
person) were cut in late April.
EBook: Professional Issues:
Publishing. Everyone knows that publishing is a good and, indeed, an essential thing to do. There is little organized support at the University of Mississippi for graduate students' publication efforts. Professors are generally quick to tell you when they think a paper is potentially publishable. Moving from potentiality to actuality is somewhat problematic, however. When you are told that a paper has potential, you should actively solicit advice as to how to revise the paper and pinpoint a suitable outlet for it. Don't expect to place your first essay with the first journal you send it to; but if you think your work has merit, keep sending it out until it finds a home. Bear in mind the reason why publications matter: they are an indication of your ability to negotiate the complex world of the academy. This includes your ability to recognize which journals have standing and prestige in your particular academic area and to aim high.
Grants. Grants are financial awards
offered by various foundations and government agencies in support of particular
kinds of work. In general, there are few available in our discipline but
you should seek out the reference books available on the subject and apply
for anything that seems to fit. These books are available at the Office
of Research, currently a division of the Graduate School.
Professional Societies. The least important
part of one's professional life as a graduate student, these organizations
generally take your money and recompense you with a journal you will not
read. If you submit a paper to, for example, a regional MLA, you may be
required to join the organization before the conference. Wait until you
are accepted to join. There is little benefit to listing a number of organizations
on your vita, especially now that many of the previous benefits of such
organizations can be accessed by signing up for various listserves. In
fairness, we should mention that many professors find membership in these
societies invaluable in their professional lives, allowing them to make
contacts that lead to conference presentations and publications.
Conferences. The purpose of going to
conferences changes over the course of one's graduate career. At first,
delivering a paper can provide an opportunity to gain poise and professionalism, to compare your work to the work of others. Graduate student conferences, like our own Southern Writers, Southern Writing or the Sigma Tau Delta national meeting, generally offer friendly and receptive audiences and
we suggest that you consider these as a first step. Some regional and national
conferences, like the Twentieth Century Literature Conference at the University of Louisville, also especially welcome graduate student proposals. To find out about conferences, consult PMLA or check out the UPenn Calls for Papers listserv or other professional web resources--see below. As you progress in your career, you should begin to seek out conferences in your own particular field. If you do Southern Literature, for example, the regional SAMLA meeting is often a good place to meet others working in the area.
Please see the section on travel monies when you begin to consider conferencing.
There is some argument over the value
of conferencing. When you are looking for a job, people will often be put
off by too much conferencing in relation to publication. You should use
conferences as a way of getting full value from work you have already done,
or are in the process of doing, rather than distracting yourself from your
academic progress by taking on extra tasks. Some graduate students find
conferences a convenient way to set goals for themselves during the comprehensive exam and dissertation writing process; a twenty-minute paper can often serve as the seed of a chapter.
Professional Lists and Web Resources:
H-Net is "an international interdisciplinary organization of scholars and teachers dedicated to developing the enormous educational potential of the Internet and the World Wide Web. Our edited lists and web sites publish peer reviewed essays, multimedia materials, and discussion for colleagues and the interested public." Their web address is http://www2.h-net.msu.edu/
Perspectives in American Literature is a web site operated by Paul Reuben, and contains a large bibliography on American poets, playwrights, and novelists. http://www.csustan.edu/english/reuben/home.htm
The UPenn Calls for Papers List is a great way to find out about academic events off of our campus. While their primary service is to present CFPs and information about how to send an abstract to a conference you might want to go to, they also have information about e-journals, and calls for entries for books.
Just sign up and they will send the CFPs to your e-mail address, or you can visit their list of CFPs at their web site. Their information follows below.
====== cfp@english.upenn.edu ======= The English Department at the University of Pennsylvania hosts an electronic mailing list (cfp@english.upenn.edu) and web site(http://www.english.upenn.edu/CFP/) for calls for papers on English and American Literature and Culture. We encourage conference or panel organizers and volume editors to find the largest possible audience for their announcements by posting them on this list and web archive.
Announcements can include upcoming conferences, panels, essay collections,and special journal issues related to English and American literature, and can include calls for completed papers, abstracts, and proposals. The boundaries are flexible: all English-language literatures, cultural studies, literary theory, bibliography, humanities computing, and comparative literature (even when not concerned specifically with English or American literature) are within the pale. Conferences or panels devoted exclusively to literature not in English, to music or art, to history, etc., are excluded unless they are relevant to students of English and American literature, as are lecture series, regular meetings of small local societies, fellowship opportunities, etc. Essay competitions and prizes are excluded unless they will result directly in publication or presentation of a paper. Calls for creative writing are also excluded. Due to the volume of postings and the fact that each posting must be approved and edited by hand, the CFP list and web archive is only for calls for papers, not for general conference announcements.
------- SUBSCRIBING/UNSUBSCRIBING --------
To subscribe to the list, address a message to listserv@english.upenn.edu Do NOT send subscription messages to cfp@english.upenn.edu. The subject line can be anything, but the body of the message should read subscribe cfp There should be nothing else: no name, no e-mail address. You should receive a confirmation message after a few minutes. If you have any questions, contact the editor at the address below.
To unsubscribe, address a message to listserv@english.upenn.edu (not cfp@english.upenn.edu!) reading just "unsubscribe cfp" (don't include your name or address).
To change your address on the CFP list, send an unsubscribe message from your current account, and then login to your new account and resubscribe from that.
The Majordomo software on which the CFP list is run, I'm afraid, has no facility for digests and no "no mail" option. Also, we cannot send announcements only in a given field or fields of interest within English and American Literature. Those who find the volume of mail too high should rely on the Web archive; those who wish to stop receiving mail for a short while should simply unsubscribe and resubscribe later.
------ WEB ARCHIVE OF ANNOUNCEMENTS ------
Those interested in the calls for papers need not subscribe to the list directly. The announcements will be archived and available on the Web at http://www.english.upenn.edu/CFP/ There they'll be grouped under rubrics (such as Renaissance, American,Theory, Gender Studies) to make browsing easier. Postings will remain in this archive until the conference has taken place. The web site also includes a search engine and a monthly archive, which lists calls for papers chronologically as they are posted.
Messages are sorted into their respective period- or topic-centered folders within about a week after their posting, but the "Archive by Month" is automatically updated with each new message.
Please check to see whether announcements have been posted already before sending additional copies.
-------- POSTING ANNOUNCEMENTS --------
All panel organizers and volume editors are encouraged to make their calls for papers or proposals by sending their announcements to:
cfp@english.upenn.edu
After they are posted to the list, messages will automatically be archived on our web site:
http://www.english.upenn.edu/CFP/
Please send postings as "plain text" (aka. ASCII text) in the body of the message rather than as an attachment.
Calls can take any format in the body of the message. The subject line,though, should be as informative as possible (to enable browsers to find relevant announcements quickly), and should take the following form:
CFP: Topic of Conference/Panel (deadline; conference date) Messages that don't conform to this standard may be rejected. The subject line should briefly and clearly describe the topic of the conference. Some tips: * Rather than a cryptic panel title like "Imagined Encounters," use a descriptive entry like "New World in16th c." * Put dates in numerals, in American notation (month/day/year).Include both the deadline for submissions and the date of the conference. * In the case of major conferences where the name of the conference will be useful (e.g. ALA, ASECS, NASSR, Kalamazoo),specify the name in addition to the dates. In the case of MLA,specify the year (e.g. MLA '01). * If the conference takes place outside North America, or if it's a graduate student conference, note that as well. Some examples:
Note that with several thousand subscribers, some addresses on the list are no longer correct, as people change addresses without unsubscribing,or as hosts change names. The editor tries to keep the list current, but you may receive error messages from some of these bad addresses when you send a call for papers. You can safely ignore them. If you want to know whether a call for papers successfully made it to the bulk of the subscribers, you can either check the archive on the Web or contact the editor.
If a call for papers must be updated -- to reflect a change in the location or date of the conference or the deadlines -- please replace the"CFP:" in the subject line with "UPDATE:" and be explicit about exactly what has changed in the body of the message. Please send only actual updates to the list: refrain from merely reiterating past calls for papers. Also, while I can post updates to the information in a call for papers, I cannot post general updates about the conference itself when the deadline for a call has already passed (e.g. registration info, finalized program, etc.)
--------- OFF-TOPIC MESSAGES ----------
The CFP list is meant strictly for announcements of calls for papers, not for discussion of conferences and certainly not for discussion of anything else, including social issues, chain letters, virus warnings, and so on. Please refrain from posting such messages to the list. Advertisements of commercial products or services not directly related to the purpose of the list are forbidden.
------- HISTORY -------
In 1995 the English at the University of Pennsylvania established the cfp@english.upenn.edu mailing list to facilitate the exchange of information on upcoming conferences and publication opportunities, and archives of the postings were later made available on the Web. Since that time, the CFP mailing list has grown to over 6,500 subscribers from allover the world.
The CFP list and web archive were founded by Jack Lynch. The current CFP editor is Erika Lin.
If you have any questions, please contact Erika Lin at: elin@english.upenn.edu
EBook: What You Need to Know about Ole Miss This handy piece of plastic serves as your library
card, a meal card for on-campus dining and vending, and is required when
you buy tickets for and attendsporting events on campus. The ID Center
is in the basement of Johnson Commons (conveniently situated across the
parking lot from Bondurant Hall). As soon as you are on the SIS computer
as having been admitted to the university, you can bring a picture ID and
have your card made.
The (Main) J. D. Williams Library:
From its marble facade and impressive Faulkner quotations,
one might assume that the library at the University of Mississippi is,
as it so often claims to be, a library worthy of a "major research institution."
But behind the facade lie a number of inadequacies, inconsistencies, and
pitfalls. The recent renovation, while attractive, failed to significantly
increase the amount of shelf space. Although the library boasts a collection
of nearly 800,000 of volumes and 7000 periodicals, careful examination
of the stacks will find this number inflated by a collection of, say, twenty
copies of certain obscure and outdated texts. And the vagaries of philanthropy
have dictated that, while the library has received funds for acquisition,
no such funding exists for increased staff or service. This has created
a situation that many graduate students find particularly frustrating,
in which the overworked staff of student employees are unable to keep up
with the flow of books through the building. Many grad students complain
that the books they need are either lost, misshelved, or simply unavailable
for use. Also, recent budget cuts have resulted in the loss of many of
the library's periodical subscriptions. Among other things, this means
that the library does not subscribe to many of the newest, most interesting
journals--such as, to give one example, Modernism/Modernity.
With all this said, the library has been making
efforts to update and improve the quality of its holdings. The online catalogues,
for example, allow patrons to suggest books for acquisition--and the suggestions
are very often followed. The library now boats greater online services,
especially in reference, and the staff in the Reference Room is very good
at helping you use them.
Many of us have had cause to bless the Interlibrary
Loan department, probably the most efficient and cooperative staff within
the library system.
Graduate students are allowed to check books for
42 days. Books can only be renewed in person which is often, as you can
imagine, a hassle. Late fees run to $.25 per day per book. You can recall
books checked out by another patron. Graduate students can check out volumes
of bound journals for one day, which can be helpful as the xerox machines
in the library charge $.10 per page, $.03 above what is available downtown.
The Dean's current policy is that current (unbound) issues of journals
do not circulate, period.
UPDATE: As of right now, graduate students no longer
have to schlep their books in by the armload in order to renew them. . .
the on-line catalogue now offers an option, under the "view own record"
function, that lets patrons renew their own books. Now, this will NOT let
you renew if you have too much overdue, or if the items are already
overdue, or if anything has a hold on it--but this shuold save everyone a
lot of hassle. --DRC, 9/12/1998
Carrells are available for graduate students, particularly
those past coursework. There is a waiting list for carrells. Should you
feel you need one, you will need a letter from your committee chair attesting
to your legitimacy (in fact, a simple signature from Ann or Dan will take
car of this). There is a small key deposit. Applications are available
at the Dean's office on the third floor. These carrells are far from plush
and not for those who suffer from claustrophobia. The lights, as elsewhere
in the library, are extremely bright fluorescents and some carrell dwellers
find it helpful to bring in incandescent desk lamps. Some carrells include
online connections.
Outside of the carrells, the library has little
to recommend it as a study space. It is choked with undergraduates every
night, many of whom utilize it as a singles bar rather than a study space.
During the day, pleasant study areas are sometimes available on the second
and third floors.
Getting Connected: Internet Service
Information
The first, most important thing to know is that
you already have an email account, and space for a web page, set aside
for yourself.
Let's begin by talking about how to get that email
account active. The computer haven is in Powers Hall, which is one of the
last buildings on west side of campus. Go out the west door of the Library,
pass the next building (Johnson Commons) a series of dorms, and at the
end of the street you'll see a newer building. That's Powers. You can go
there for actual human beings to help you. They will not give out information
over the phone, however, that would allow someone access to another's account.
Take your student ID there, and ask for your account information. Some
combination of your last name and initials has already been given to you
as a "user ID," or your name on the computer system. This will also be
your email address, like mine: gbrown@olemiss.edu. You then go to a computer,
such as the ones in the Writing Center in Bondurant (across from Bishop
Hall, in the basement). Start sunset, and follow the instructions on the
sheet you've been given; first, you'll type new, then you'll give your
user ID and temporary password, etc.
Now, you have an email account, and 5MB of space
for web pages. I will leave to another discussion how to check your mail
or write pages (I use Netscape for both, myself). However, note that 5
megabytes is a lot of space--I have all the information for two separate
levels of classes in my site, and the whole lot of it is less than one
megabyte. You must follow the appropriate use policy of the University,
though--no links to prurient material, and you can't sell anything there,
for example. But, unless you live in the (mostly disappointing) dorms,
you will only be able to check that email or make up pages on campus in
one of the computer labs, such as Weir Hall, or the Writing Center in Bondurant.
However, if you have your own computer and a modem for it, you'll likely
want to connect to this account from home.
The University's network, for all the complaining
you will hear, is actually quite good. There's some nice people over there,
namely Kathy Gates and Jimmy Ball, who can help you with everything from
email configuration to setting up and managing electronic discussion groups
for your composition classes. One thing the University doesn't do very
well, at this time, is provide the service to dial up from home. Busy signals
and brief connections are the usual fare. They're working to improve this,
but in the mean time, most folks pay an Internet Service Provider (ISP)
for Internet access.
You will want an ISP if you're going to get on line
from off campus. Unless you have cash to burn, I cannot recommend America
On-Line. First, there's no local access number, so your modem will have
to make a long-distance call at a per-minute charge. AOL has many features,
but I find Netscape (free for students) or Microsoft's Internet Explorer
(I don't use it because I don't like to have a mini-monopoly in my computer-it's
still free though) do just fine, coupled with a "flat rate" ISP account.
The major options are Teclink (Now Meta3), EBIcom,
and Watervalley.net. You can also get Internet service from the local phone
company, Bell South. The fees run from $12 to $20 per month, in my experience.
The Computer Center Helpdesk will have the most
current information on what's available, including contact numbers. You
can call them at 915-5222. What follows is simply personal experience from
myself and others.
For Bell South service, call 1-800-4DOTNET, or check
out their web site at http://bellsouth.com/blsc (you can do this at the
Writing Center). Their service is flat rate, a few pennies shy of $20 per
month. They also have a cheaper rate, for 10 hours per month. I prefer
not to count time on line, but you might want to go that route. There's
a charge for time over the allotted 10 hours. I haven't used them, but
from what I hear, they're typical.
For Watervalley.net, call 1-601-473-4225. I use
them currently, and they're fairly good, and they have the fastest connection
I've found. Yes, you'll have to contact them and get tech support long-distance;
they say they're changing this over to a 1-800 number soon. They have a
local access number for Oxford. They're also upgrading to the fastest currently
available modems and lines. They're one of the cheapest, at $12 per month
for students, for flat rate, unlimited usage. This comes with 250KB of
web page space, with 1MB/$1/month additional if you want it--where you
could sell something. They'll even come to your house for free once to
help you set up. They're the only folks that offer this service, much less
free, that I know. Additional email "mailboxes" are available at a small
monthly charge.
For EBIcom.net, call 1-888-324-7800. Many people
prefer them. I found them to be very unreliable; occasionally tech support
was good, but more often the person on the phone would more or less forget
he was talking to someone. I'd spend long periods of silence waiting for
him to have me change settings back and forth on my computer to no effect.
They cost $16 a month, but in my estimation, they're not worth $1. In the
words of a friend who's used them, "[I got] lots of busy signals . . .
which we can get for free off the campus system."
For Teclink.net, call 1-888-286-3823. Lots of folks
revile them. They have been rather sketchy, but in my personal experience,
they're better than EBI. A slower connection, but more "stable," meaning
you're less likely to get disconnected suddenly for no reason. At the $20
mark, they're the most expensive service other than Bell South. I'd try
the phone company first.
Once you get an ISP, you can easily get to your
Ole Miss account. I use my ISP only to get to the school's system, which
is where I keep my email. With the paid-for Internet access service comes
an email mailbox, but I don't use it. Using the school's system prevents
me from having to change my address with all my correspondents every time
I try a new provider. Sure, there's more restrictions using the Ole Miss
system, but email is like a postcard rather than a letter anyway. Don't
plot to overthrow the government on any email system.
There's lots of programs available to help you get
to your account. Telnet, a program already available on almost all machines,
can connect you to the University's computer--sunset.backbone.olemiss.edu.
(To open Telnet in Windows95, for example, click START, RUN, and then type
telnet
and click OK.) There's also a program called FTP Explorer for Windows95
that is free and easy to use to upload those web pages. You can get it
at http://www.ftpx.com.
Using Telnet, either at home or at school, you can
use a very basic email program called PINE. After you've logged on to sunset,
simply type "pine," without quotes of course, in the Telnet window, and
you'll see what it's like. The advantage is that PINE keeps your email
on the sunset supercomputer, making it available anywhere you are. The
computer you use simply acts as a terminal. The downside is that it is
a Unix program-for example, you can't use the mouse in composition. Its
clunky, like DOS, and it doesn't have some of the more fancy options. Not
much to look at either.
As I said earlier, I use Netscape. A very fine program
with full composition abilities (web pages and email). It is very much
like any good wordprocessor. The downside is that it "resides" on my computer--meaning
the program and all my mail is tied to one place, and if I were to use
PINE elsewhere, I would probably lose mail. Someone more savvy could perhaps
work around this, but usually using two different mail programs will confuse
both you and your computer.
All of this information is subject to change. It
may have changed as I wrote this. That is the world of computers. But don't
let that discourage you; we're all novices repeatedly. Waiting for the
whole industry to stabilize or even-out is an unwise choice, because it
won't, ever. You cannot wait for the ultimate computer system, or the best
ISP. So, do what you can. You will find the best system for yourself, and
you don't have to constantly upgrade if you don't want. But do get
your feet wet. Don't be afraid to switch providers or experiment. I am
writing this in March of 1998; if you're reading this a few months from
now, call the Helpdesk at 915-5222 for the latest information. It will
be worth it.
EBook: Living in Oxford Internet Service: please see the section on the University, Getting Connected to an Internet Service for information on how to get an on-line connection at your home.
Residency and Voting:
Food:
Entertainment: Things
to do in Oxford (when you're not dead) . . .
Other Bars:
Associated Graduate
Student Body--now called the Graduate Student Council, each department can send one graduate Senator to the meetings. Currently, the EGSB President handles this duty; the Vice-president serves as an alternate. English Graduates can also run for GSC executive positions; these come with a stipend.
The Awards Committee
is a faculty committee charged with determining the winner of several awards
given at graduation to undergraduate English majors.
The Department
Chair's Advisory Committee is a faculty committee meets on an Ad-Hoc basis
to discuss issues sent to the committee by the chair; the committee's findings
are sent to the chair for his consideration.
The Freshman English
Committee (2 positions) is the faculty committee that determines policy
for the Freshman English Program and as such helps to shape the working
lives of Graduate Instructors. The FEC is the only faculty committee that
extends its graduate student members a vote. Because of the nature of the
committee's work, these positions are always staffed by graduate students
who hold teaching assistantships.
The Graduate Studies
Committee is the faculty committee charged with shaping the curriculum
of the graduate programs by proposing changes through the chair to the
full faculty. The GSC also makes recommendations to the chair regarding
transfer credit and independent study applications.
The Sophomore
Textbook Committee (2 positions) meets at the will of the Director of Undergraduate
Studies to consider alternative texts for ENGL 200: Introduction to Literature,
a course staffed primarily by graduate instructors.
The Undergraduate
Studies Committee is the faculty committee that shapes the curriculum of
the undergraduate program. Because this committee makes determinations
on curricular issues that affect graduate instructors teaching sophomore
literature classes, this position is always filled by a graduate student
who holds a teaching assistantship.
Editor's Note: The author of this section chose to contrast the description
of the Master's degree program found in the Graduate School catalogue with
the lived experience of students who proceed through the program. As so
often when we chart our course through bureaucratic waters, other pilots
are a more reliable guide than the maps. Catalogue copy appears in italic
type.
Admissions Requirements:
Admission is competitive and based
upon undergraduate transcripts, GRE general and subject test scores, three
recommendations, and a writing sample.
Regarding test scores, the department
considers only the scores from the Quantitative and Verbal sections of
the GRE general test; the Graduate School requires a combined score of
1000 for admission. The average score of students admitted to the program
on the subject test is 500.
Course Requirements:
Students must complete 24 hours of
course work with a B average and also complete an additional six hours
of thesis credit. Students must also take six hours of course work in English
or American literature before 1800 and six hours of English or American
literature after 1800. Up to six hours may be taken in related disciplines
and/or directed reading. It is possible to receive an M.A. with an emphasis
in creative writing (fiction or poetry) by completing six hours of creative
writing courses and submitting a substantial work of creative writing (a
novel, a group of short stories, or a book-length manuscript of poems)
for a thesis. Teaching assistants are required to complete ENGL 617: Teaching
College English.
How you choose the courses to fill the
requirements for a Master's degree depends to a large extent on what you'd
like to do with the degree. The Master's is commonly considered a generalist
degree--i.e. it should expose you to new areas of literature and new approaches
to criticism, allowing you to explore the field in more detail than undergraduate
courses allow. If the M.A. will be your terminal degree, you should consider
the professional applicability of the degree and adapt your course selections
to fit accordingly. If the M.A. is an intermediate step toward the Ph.D.,
course work should be used to explore and isolate areas of particular interest
that will provide background for the more specialized work you will undertake
in the Ph.D. program. The average course load per semester for graduate
students without Assistantships is nine hours (three classes), although
some take as many as twelve hours. Students holding Research and Teaching
Assistantships are required to register for nine hours per semester, but
often only six hours are classroom time, with thesis or dissertation hours
filling the other three.
Foreign Language Requirement:
Students must present evidence of proficiency
in one of the following foreign languages before the thesis defense: Greek,
Latin, French, German, Spanish, and Italian. Evidence of proficiency ordinarily
consists of a grade of B or above in three hours of course work in the
literature of the appropriate foreign language (in the original). Students
seeking to satisfy the language requirement in a language other than those
listed above must petition the Graduate Studies Committee for permission
to do so.
If you enter the graduate program with
recent experience in a foreign language, you should begin working immediately
to fulfill the requirement--get it out of the way early. If you enter with
little or no experience, all the more reason to begin work early, as it
will take you two years of study in the 100- and 200- level classes to
prepare you for the 300-level classes that fulfill the requirement. Many
students neglect the foreign language requirement while they are completing
their course work in English, and they end up having to study the foreign
language while researching and writing a thesis.
There are two ways to complete the department's
language requirement. One is by receiving an A or a B in a 300-level (or
above) course in the literature of another language. Modern Language Department
courses in cultural studies or conversation are not acceptable substitutes.
Another option is the standardized Graduate Student Foreign Language Test
(GSFLT) which is offered regularly throughout the year at the University
of Memphis. You must score at or above the 40th percentile in
order to receive credit and you must take the exam while you are enrolled
in the graduate program at Ole Miss. You may take the exam more than once
if necessary. The cost is $12.50 per session. Most students opt to take
the class rather than the test, despite the greater amount of time involved,
simply because the exam requires more fluency and a more exact knowledge
of grammar than a literature class--for which one can read, at home, with
a dictionary at hand--typically does.
Thesis and Thesis Defense:
Your choice of a thesis topic is again
dependent on your career goals and professional aspirations. If the Master's
is a terminal degree, the emphasis and focus of your thesis may be different
from that of a student planning to go on to the Ph.D. If a Master's candidate
were interested, for example, in teaching literature at a secondary school
or composition at a community college, the thesis might reflect these specific
interests. Some students planning to go on to the Ph.D. apply for admission
to the Ph.D. program before writing a thesis, in which case your Master's
course work is applied to the doctoral requirements. Yet the majority choose
to write a thesis in the belief that the thesis provides an opportunity
to research issues, explore concepts, and discuss works to be encountered
later--in more depth and maturity--in the dissertation.
A thesis is generally considered to indicate
an intensive semester's work, but depending on the topic and the requirements
set by the candidate's committee, it may require a substantially larger
investment of time. Some students may take up to a year or longer to complete
the thesis but the department requires that the degree be completed within
five years of admission. Graduate instructors have three years in which
to complete the degree with departmental financial assistance.
The manual issued by the Graduate School
describes the thesis as a
...less comprehensive doctoral dissertation.
In the master's thesis, the candidate demonstrates ability to accomplish
a research project of more limited scope and far less originality than
that demanded of the doctoral candidate.... In the master's program the
emphasis in the thesis is placed more upon the candidate's ability to handle
the techniques of research and to communicate results than upon the discovery
of new knowledge.
Some committees require that a thesis
represent an extension of thought beyond the bounds of a seminar paper;
others may require more extensive research and exploration. Page lengths
reflect these various demands, but generally masters theses range from
60-150 pages. The format and style requirements of the completed thesis
are dictated by a manual available at the Graduate School. This manual
will also describe the costs associated with the printing and binding of
your thesis, which will become part of the library's permanent collection.
Your thesis defense is going to seem like
a really big deal to you before you do it and it is an important part of
your education insofar as it marks one of the last obstacles you must hurdle
before you attain your degree. Keep in mind though that its function is
largely ceremonial and ritualistic. Although this may differ according
to the personality(ies) of your particular committee, the defense is largely
a formality. If they have fulfilled their responsibilities as your mentors,
your committee members will have provided you with the feedback and support
and recommendations for revision that you need along the way; and they
probably won't pull any fast ones on you at the defense. You do however,
need to head into the defense with a clear head, prepared to address questions
relative to your thesis topic, both minuscule and general in scope. Keep
in mind that this type of situation will pop up again in your academic
career, in your oral exam, for example, or your prospectus defense, or
your dissertation defense, or in job interviews. Professionally speaking,
you need to be able to articulate your ideas clearly and knowledgeably,
in person as well as in writing, and the defense is good practice for this.
Introduction: The Ph.D. in English
is a professional degree. Recognize it as such from the beginning of your
program and keep the ends always on your mind as you choose the means of
getting there. You should enter the doctoral program with some sense of
your goals and interests. From day one, ask yourself: Where do I want to
be? and How do I get there? All of the decisions you make in the course
of your degree program--beginning with the choice of classes and continuing
into the creation of a committee, the choice of comprehensive exam areas,
the construction of reading lists, the completion of exams, and the writing
of the dissertation--require an increasingly clear picture of the professional
you want to be when you graduate.
Choosing your classes: There are
several goals you pursue during your course work. First, you want to discover
or clarify your own academic interests and methodology. Second, you want
to familiarize yourself with the faculty members whom you might want to
work with in the later stages of your degree. If you enter from the BA,
you will take more classes and therefore have more time to experiment with
different areas and approaches. Those entering from the MA should be more
focused, taking only those classes that serve their needs. We suggest that
students take 500-level classes only if you need additional grounding in
a particular area. Otherwise, your time is better spent in the more focused
600-level seminars. Be sure to watch for classes that offer a particular
scholarly method that you might find useful as well as courses whose content
matches your needs.
In regard to the theory requirement, if
you have not had a course in literary theory we suggest that you take one
as soon as possible. Push the department to offer ENGL 591: Recent Literary
Criticism on a regular basis. In the past, many graduate students have
fulfilled the requirement by taking courses such as Studies in Gender Theory,
Southern Literature and Literary Theory, and various offerings in Rhetoric
and Composition.
In regard to the foreign language requirement,
we have very little to add to what is said under the MA. Complete the requirement
as soon as you can. Be aware that certain fields will require particular
language training. You might want to speak to professors in your area to
ask what sort of language training they might require. Ultimately, each
student's committee determines his or her language requirement, but most
of us find ourselves taking language courses before our committees are
formed.
Many students find it helpful to take
courses in other departments. If you are thinking of using an interdisciplinary
approach, you will want to be aware of what the other departments are offering.
You will need an outside reader for your dissertation anyway...why not
look around now? In recent semesters, students have found the offerings
in the Departments of Southern Studies and History quite useful to fleshing
out their understanding of literature's cultural context.
Creating your doctoral committee: The
English Department has a relatively small faculty to support relatively
large undergraduate and graduate programs. In addition, the faculty tend
to be disproportionately bunched in certain areas, with Southern Literature--at
the time of writing--the area in which the largest number of faculty are
working. As you prepare to form your committee, you should have a coherent
plan for your comprehensive exams and dissertation, and you should choose
faculty members who can best guide that project. Because of the personnel
limitations, you may not find three professors in your specific period,
so also look for professors whose theoretical or methodological approaches
coincide with your own. In addition--and here we must be blunt--you should
look for professors you enjoy working with. Sometimes compatibility of
personality is more important than similarity of ideas or fields.
When asking a professor to serve on your
committee, bear in mind that you are asking of them to make a significant
investment of time in you and your project. It makes sense, therefore,
to form relationships with the professors in your field well in advance
of this stage by taking their classes. Take classes from anyone you see
as even potentially serving on your committee. You can also get to know
the faculty by checking into the work that they have done: read their articles
and books, find out what they have taught in the past. You should also
ask around and find out what other graduate students are working with the
professors and speak with them about the professors. The Ph.D. requires
that you work closely with your committee and that the professors on that
committee work with each other. We suggest that you get the essential people,
starting with your chair, signed up first. Then ask their help in building
a committee that will work well together. Be aware that different committees
work differently. On some, the chair handles all the interaction with the
other professors. You deal with the chair, s/he deals with the other members.
In other situations, the graduate student meets and negotiates with each
professor separately.
Choosing the areas for your Comprehensive
Exams: As the graduate handbook explains, you will be choosing a literary
period and two of the following three areas for your comprehensive exams.
A. The literary period. The concept of
a literary period remains vaguely defined, and you should work this to
your advantage. In the past, graduate students have chosen a literary movement,
a half-century, a century--but others have chosen fields as narrow as Twentieth-Century
Southern Women Writers. The definition of the "period" is up to you and
your committee, but of course they have the final say. It seems that the
period exam was conceived as a guarantee to insure that we would be able
to place our more specialized work into a literary-historical context,
and so the more narrowly defined periods will not always serve you best,
even though there is a real temptation to specialize, to narrow the fields
as much as possible.
B. The genre. In recent years, graduate
students have been defining their genres very closely--studying, for instance,
Women's War Writing, Travel Writing, and Women's Autobiography rather than,
say, The Novel. If your project requires an investigation of form, you
may find yourself doing a more traditional genre such as the lyric poem.
C. The single author or group of related
authors. While fewer and fewer single-author dissertations are coming out
every year, this remains a popular choice for the comprehensive exams.
Author lists tend to be manageable and can easily form a chapter of the
dissertation or a stand-alone article.
D. Special topics. This area covers everything
else, essentially. Many students choose theory lists to help themselves
bone up on their methodology. Recent topics include Business Women in the
American Novel, History of the American Frontier, Race Relations, and the
Carnivalesque.
Constructing the reading lists for
your comprehensive exams: When you have chosen your three areas, you
will then develop a reading list for each. Most committees prefer that
you submit all three lists at once, though some students have proceeded
one list at a time. It is more efficient perhaps to get all three lists
approved at the start, and so we recommend that you get your committee
together in a meeting to discuss and approve the lists. This process always
involves some negotiation, so come prepared to deal but also come prepared
to justify the areas you have chosen and the texts you have added to each
list.
Many graduate students spend a lot of
time worrying about how many works to put on each list. There are conflicting
desiderata in the construction of the lists: you want to become competent
in the field, but you also want to complete the exams in a timely fashion.
The final word rests with the committee, of course--they must approve of
your list. But you should also bear in mind the time line for the completion
of the Ph.D. You are expected to complete one exam per semester. How much
work are you capable of doing in one semester? Let that be the standard.
Most students will take two courses, reading approximately thirty books
and writing two papers. With only one paper or a test we can perhaps do
more reading, though the writing is held to a higher standard. Many professors
recommend that you include works that you have read before on your lists,
and so perhaps the numbers will climb as high as fifty. Some lists will
naturally be shorter, such as a single author list; others, particularly
that for the period exam, will run longer. Theory lists should be shorter
because of the difficulty of the reading. Some graduate students advise
that you turn in a list shorter than you believe you can complete because
most committees feel duty bound to add to lists. Remember, just because
a book is not on a list doesn't mean you can't read it later. Each exam
is a discrete task; don't plan a lifetime of work. Be professional and
ambitious, but also be reasonable about your expectations. The Ph.D. is
a long road; be gentle with yourself.
Completing the comprehensive exams:
If
you haven't met with your entire committee as a group yet, now is the time.
Discuss your options, present them with a plan, set tentative deadlines.
We can't overemphasize the importance of getting your committee members
talking--not just with you, but also with each other. The exams consist
of four hurdles: two papers and a timed, written test, followed by an oral
exam. Most of us have done the exam first, and most of us have chosen to
do the exam on the historical period. The reason for that is that it is
easier to generate a paper out of the more focused reading areas. But remember,
you are in control of your own destiny. Present a coherent, logical plan
to your committee and argue for what you want. Most committees will let
you plan your own course of testing. There are two options for the test:
a 24-hour take-home version, and a four-hour seated version. There are
advantages to each. Most committees will allow and expect you to consult
your books when you take the 24-hour version; you also have the advantage
of your word processor, spell check, and coffee machine. You are, inevitably,
held to a higher standard of polish in this version. Those who take the
seated exam are quick to point out that while they experience four hours
of extreme stress, they finish twenty hours earlier than the others. A
few people who took the 24-hour version swear they would do it differently
if they had to do it again, though in fairness we need to say that some
liked the 24-hour format just fine.
The oral exam comes at the end. You will
sit with your committee for two and a half hours and face a variety of
questions that draw from each of the three reading lists. In preparation
for this exam, many students take notes during their reading for the first
three exams. Otherwise, you have quite a bit to review or reread. While
the oral is designed to test the breadth of your knowledge, your committee
will expect you to be able to talk in depth about the texts on your lists--not
all of them, surely, but at least a few. Additionally, the oral exam expects
you to show an ability to think on your feet in front of people--essentially
the same skills we use in seminars and in the classes we teach. Recommendations
from students who have passed orals in the last year: "Don't BS too much;
tell them when you don't know an answer." "Don't worry about saying that
you don't remember everything--they will push you until you reach your
limit anyway." "Try to turn difficult questions around to something you
can talk about." "Try to have your friends give you practice exams so you
can get accustomed to talking about these texts and can try out a few answers."
The prospectus defense: Your director
will describe the type of prospectus s/he expects you to turn in. Essentially,
the prospectus outlines the dissertation project, spelling out the texts
you will examine, the methodology you will use, and some reasons for choosing
the project (why it is worth pursuing). Most will include a chapter-by-chapter
outline and a brief bibliography. At the defense, you will discuss the
document with your dissertation committee, which will now include an additional
member. Each dissertation committee includes a reader from outside the
English Department whose function, institutionally, is to safeguard the
integrity of the degree. (That is, they watch over the rest of the committee
to ensure that you are being held to a reasonable standard.) The outside
reader should also serve as an active member of your committee, making
recommendations about your project and the work as you complete it. You
have the right to request a particular outside reader, though they are
formally appointed by the department chair.
The dissertation: The best advice
we've heard about a dissertation is this: "Don't get it right; get it written."
Set a regular schedule of working hours for yourself; churn out the material,
finish a draft, then go back and fine tune. One student who recently completed
the big D suggested the need to look ahead to the tremendous financial
burden associated with the process. According to her calculations, for
instance, it is far cheaper to buy a laser printer and use it for all of
your drafts and the final printing than to pay a commercial copying service.
Plus you get to keep the printer when you're done.
Conclusion: This description of
the Ph.D. program is meant to offer suggestions for getting through the
degree, rather than to proscribe a single method. The Ph.D. program deliberately
leaves a lot up to the student and committee to negotiate, which is why
a clear idea of who you are and where you want to be is absolutely imperative.
As you consider the hurdles that lie before you, take comfort in this:
Even though it may feel like it at times, you will not be going through
the program alone. There are many people going through the program a step
or two ahead of you. Use your colleagues as a resource. Ask other people
about everything: which classes they recommend, how they structured their
exams, which professors they are working with and why. Many students in
the exam stages rely on their colleagues for feedback and support. It is
our opinion that the English Department needs more organized support at
the later stages of the degree program, for instance a dissertation seminar
or student-organized reading group. Look for and create such opportunities
for yourself. Good luck.
December 8, 1995
To All Faculty and Graduate Students:
Various graduate students have expressed
their wish for some kind of time line for completion of the Ph.D. Realizing
that different students have different situations--that, for instance,
some are ready to pass the foreign language requirement right away, and
others will complete a dissertation prospectus immediately after completing
their comps, while others may have family obligations that hold them up
for a while--here is a time line based on a completion time of six years
from the M.A.
Two years:
Course
work in English (24 hours).
--Any necessary
foreign language course work is additional, and may be completed either
while taking English courses or later, depending on the student. Note that
the foreign language requirement must be complete before advancement to
candidacy. Note also that the student should confer with the Graduate Director
regarding the Ph.D. committee by--at the latest--the final semester of
course work.
Two years:
Completion
and committee approval of three reading lists.
Completion
of comprehensive exams, including the oral exam.
--Note
that while it is advisable to work toward completing the reading lists
while one is still taking courses, so that one does not succumb to the
notorious dead time, which so often has occurred between finishing courses
and starting exams. [Editor's note: this was a real problem when the current
Ph.D. was first implemented. It has become less a problem with each passing
year.]
One semester:
Completion
of a prospectus and the prospectus defense.
--Note
that some students defend their prospectuses immediately after completing
their comprehensive exams. That is fine, too.
One and a half years:
Completion
of a dissertation.
Let me repeat again that each student
has his or her own obligations and rhythms, and these are meant as guidelines
and suggestions as to what constitutes timely progress toward the completion
of a degree.
Check out the new section, Professional Lists and Web Resources
Calls for Papers in English & American Literature
Housing [this section
needs help]:
There are three basic options available:
university dorm housing, university village housing, and renting in town.
Here's a brief run down on each.
University Dorm Housing:
Obviously we need someone with the experience to write us something. Personally, I lived in Kincannon for a while when I got here, but my experience is probably atypical and was some time ago. --editor
University Village Housing (for married
students, students with children, and single graduate students): The
bottom line on the University's Village Housing is that for
most
people, it's a tolerable housing alternative if you're having problems
finding a place to stay in Oxford, or you are coming to Ole Miss from a
distance, which precludes you from making an informed decision. I came
to the university from California without visiting Oxford, so I was
unable
to research the ins and outs of housing options such as relative cost,
landlord/lady performance and honesty, location, etc., before arriving.
I lived in an efficiency (studio) apartment in the Village for one semester,
before moving elsewhere; here's my honest take on the Village, with some
positive and negative aspects of this living option.
The Ole Miss Department of Student Housing
accepts applications for the efficiency (studio), one-, and two-bedroom
apartments on an ongoing basis, and assigns them first to married students
and students with children. Any remaining efficiency apartments may be
assigned to single graduate students, and a handful usually seem to be
available. Efficiencies and one-beds are available furnished with a full
bed, as well as dinette table and four chairs, occasional chair, table,
lamp,
and sofa. The furniture was rather old though fully functional in my unit,
although you could feel the springs while sitting on the sofa. The bed
wasn't too bad. Unfurnished one-beds are also available, while all the
two-beds are unfurnished. Efficiencies and one-beds contain four-burner
electric ranges and full-size fridges, while two-beds only contain a gas
range (i.e. bring your own fridge). As for heating/cooling, the units have
old heaters (I could never get mine to work), and no a.c., which is definitely
a bother. You must supply your own window unit, or
else
crouch in front of the open fridge door. As of Fall 1998, the following
fee schedule applies for one semester's stay (generally, one day before
classes begin through the last day of finals): $1252.70 for efficiencies
and unfurnished one-beds, $1291.40 for one-bed furnished, and $1387 for
the two-beds. These fees include utilities (except phone) and expanded
cable and are assessed at the beginning of the semester. Tenants may not
keep pets in any units, though one observes a few aberrations in this respect.
Village housing offers several benefits.
Located in the southwest corner of campus, it is within a ten or fifteen
minute walk of everything on campus. The English Department and the library
are among the closest buildings, about five to ten minutes by foot. Another
main benefit is the relative ease with which a potential graduate student
can obtain a Village apartment. Most married students and students with
children should have no problem, as long as you turn in an application
a.s.a.p. The same goes for single graduate students. As mentioned above,
the Village is a good choice for someone who has not had a chance to thoroughly
look into off-campus housing in Oxford: the Dept. of Housing only requires
a small deposit to hold your place, and provides the assurance that you
will have a place to live when you arrive, unlike mailing money to landowners
for sight-unseen places, which you might find unsuitable or even occupied
when
you and all your stuff show up.
Also, the University only requires a one-semester lease, giving you the
flexibility to search for another place to live during the next term, if
so desired. Financially, the Village is also a good choice, as you're hard-pressed
to find off-campus housing that includes utilities and cable at its prices.
Each building also houses a small laundry room, which is cheaper than those
in town, and usually not very crowded. As for the Village population, it's
mostly composed of international students, many of whom keep to themselves,
but the atmosphere is friendly and you should find the opportunity to make
friends outside of the English Department.
Despite these benefits, many people ultimately
end up looking elsewhere for housing. Frankly, the Village is probably
the most neglected housing on campus. During my stay, there were mattresses,
crates of old shoes, a broken air conditioner, and malfunctional fridge
in my second floor hallway. Rusted bicycles and trash were strewn across
the rarely-mowed grass, and the premises generally bore the remnants of
previous tenants. The University just seems to let things go in this corner
of campus, as it generally houses students who lack the leverage with administration
to make changes. The heating and cooling situation is pretty bad, as it
is preposterous that the University refuses to air-condition the domiciles
of its highest-degree-seeking students and their children. A look at the
new housing built for University athletes immediately indicates the administration's
priorities. Although there has been talk of renovations in the Village,
this has not yet begun, and is sure to be on a very extended time line.
Another big problem with this housing arises from its proximity to several
fraternity houses. Consequentially, it can get pretty loud at times, especially
during weekend parties when bands may play up until two a.m. The parking
lots closest to the frat houses are frequently littered with trash, and
the site of occasional hit-and-run accidents. Worst of all, broken bottles
dot the lawns where Village children play.
In spite of any apparent ire in the preceding
paragraph, the Village is a convenient housing option for some people,
depending on individual expectations and desires, though most individuals
tend to regard it as temporary housing. If possible, take a look at this
living option if you visit Ole Miss, and ask a resident or the housing
dept. to let you inside a unit. For more info., call (601) 915-7373 and
request a brochure. If you can't visit, call the English Dept. and ask
for the phone number of someone who has lived in the Village, before committing
yourself.
Off-campus Housing:
Utilities: Here's
a quick guide to getting your home connected to the utility services here
in Oxford.
Electric, Water, Sewer, Trash:
The City of Oxford Electric Department is your one stop for these services.
Located at the back of the lobby in City Hall, they promise same day connection
if they receive your order and deposit before 4:30 p.m., Monday through
Friday. They require a deposit of $135.00 from renters. Call them at 915-2363.
Gas: Entex, located on Highway
6 east just west of the Oxford West exit (at West Jackson Avenue), requires
a deposit of $75.00 and charges a one-time turn-on fee of $10 that will
appear on your first month's bill. Normally service will be connected on
the next day after an order is placed, but they can become back ordered
during busy service times (the times when most of you will be moving to
town); expect a wait of "a couple of days." While the service person is
at your house, you should ask him or her to check your lines and light
your pilots to make sure that your service is safe. Note: unless your hot
water is heated with gas, you can wait until October or November to turn
the gas service on. You will save a good bit on monthly service charges.
Phone: 234-6411.
Telephone: BellSouth will charge
you a connection fee of $46.00 for any new or transferred account. Multiple
lines are an additional $13, only if you order the additional lines at
the same time as the first. They will perform a credit check, and if a
deposit is required you will need to bring $75.00 and a picture I.D. to
a BellSouth payment center. Some service options include unlimited area
calling with Complete Choice service (every special service like Call Waiting
and Caller ID for no additional charge) for $70.00 a month. The local calling
plan (all calls outside of Oxford billed as long distance) with the Complete
Choice service runs $35.00 a month. Basic Unlimited is $16.20 a month.
Individual services can be added onto Basic Unlimited: Call Waiting for
$3.75, Caller ID for $7.50, etc. Call 557-6500 and hit 3 for new service;
from outside MS dial 1-800-945-6500. Telephone bills can be paid by mail
or in person at Chaney's Pharmacy on University Avenue.
Cable T.V.: Galaxy Cablevision
is currently charging a connection fee of $19.05 for residences that have
previously had cable service and $35.00 plus first month's service for
new locations. Service will be connected in 3-5 days after the order is
placed. Their Basic Expanded Service runs $29.81 for approximately 40 stations.
Ask for the price for premium services (they also have a very basic service
with just the networks and a very few "cable" stations) when you call to
connect. Dial 1-800-365-6988 and ask for Pam.
Banking: Oxford
has six institutions, each of which offers a wide variety of services to
help you manage your money. What follows is a brief summary of the service
that most of us require first: basic checking.
Bank of Mississippi: has two branches,
one at 517 South Lamar and another at 1629 West Jackson Avenue. Their ATMs
are located at the two branches (drive-through service) and at the Student
Union on campus. Bank of Mississippi offers an "Absolutely Free Checking"
account for students at Ole Miss with no minimum balance, no per check
charge, automatic bank drafts, unlimited check writing, no monthly maintainance
charge, first 200 Image Checks printed free, and MPACT ATM card with worldwide
ATM access. They asked us to remind you that even "Absolutely Free" accounts
have to have money in them to work; the standard Non Sufficient Funds (overdaft)
charge of $22.00 applies to these accounts as well. Bank of Mississippi
also offers a variety of other accounts including Regular Checking (free
for those with balance above $800), premium Crown Services accounts, special
options for people over 65, and INFOLINE call in banking. There is a fee
of $1.00 for using your MPACT card at an ATM that belongs to another bank
or financial institution.
First National Bank of Oxford:
The folks at First National say that most of their student customers open
First Checking Accounts. They require $100 minimum balance to open the
account, and charge a maintenance fee of $3.00 for every statement cycle.
They also charge a transaction fee of $.20 for every debit transaction
(withdrawal, check paid, automatic transfer, or payment out of the account,
including ATM withdrawals). Deposits at ATMs (without account numbers)
cost $5.00. They charge $1.50 for cash withdrawl from nonproprietary ATMs.
Their ATMs are located inside the main branch on the square, in the student
union on campus, and--soon--at the University branch near the mall on Jackson
Avenue.
Mechanics Bank: is located on University
Avenue across from the Sonic, with a branch and ATM located inside Larson's
Big Star food store (also on University Ave.). They offer a regular checking
account with a minimum initial deposit of $100 and a graduated fee schedule.
With monthly balance above $500 there is no charge; $400-$499.99 costs
$3.00 per month, $300-$399.99 costs $4.00, and a balance less than $300
per month brings a fee of $5.00. There are no additional charges for the
number of checks you write or deposits you make.
Merchants & Farmer's Bank: is
located on Jackson Avenue on the Oxford Square, with branches in the Tradewinds
shopping center on University Avenue and on West Jackson Avenue. ATMs are
located at each of those locations and also at The Brittany Store, 1903
West Jackson (a gas and sip). Merchant's & Farmer's offers a Personal
Valuechek account with a minimum opening deposit of $25.00 and a monthly
maintenance fee of $2.95. The first order of checks and the "Max" ATM card
are free. Your first 25 debits are free with debits over the limit costing
$.20 each. All credit items (deposits) are, you guessed it, free. There
is an early closing fee of $10.00 that will be assessed if the account
is closed within 90 days of opening. There is an monthly ATM usage fee
of $.50, a debit card fee of $.50 per month following the first (free)
year. There is a $1.00 charge for withdrawal from a non-proprietary ATM.
The Personal Checking option requires a minimum opening balance of $100
and requires a monthly balance of $500 to avoid a service charge.
SouthBank: is located on the North
Side of the Oxford Square, with a drive-through branch just down the block
on West Jackson. They offer a budget checking account that rquires a $100.00
minimum opening balance. They limit debit transactions to twenty per month,
with additional transactions (withdrawal, check paid, automatic transfer,
or payment out of the account) charged $.15 each. Cancelled checks are
not returned with the statement. SouthBank offers Permacheck ATM and Debit
cards with a separate schedule of fees, including $5.00 for a new card's
PIN number set up and $1.00 per month charge (regardless of whether the
card is used or not). SouthBank does not own an ATM in the Oxford area,
but will refund up to five foreign ATM charges occuring on your monthly
statement. SouthBank also offers a variety of services for those wishing
to receive interest on their checking balance.
Union Planters Bank: is also located
on the square, with a branch on University Avenue across from the Kroger.
Their ATMs are located at the two branches (drive through on University
Ave), at Baptist Memorial Hospital North Mississippi, and at WalMart. Union
Planters offers a UP Budget Checking Account with one low monthly fee ($5.00
at the time of writing), 10 checks per month, and a charge of $.25 for
each check over 10. This account also receives a free ATM card. UPPersonal
Cheking allows you to avoid a service charge as long as you maintain a
monthly service charge--which their literature fails to specify. The account
allows for unlimited check writing, an Annie Cash Card with free, unlimited
use or an Annie Check Card that works like a reusable check. They also
have several interest-earning checking account available.
Civic duty aside, it is a good idea to
establish residency in Lafayette County (once you learn how to pronounce
it) for monetary reasons. The M.A. program offers three years of funding,
the Ph.D. five, and if you happen to remain at the university longer than
that, you will want to pay in-state tuition rather than out-of-state. Procedures
for establishing residency are quite simple: go to the second floor of
the Courthouse and fill out two forms. You are then awarded official residence
in Lafayette County and given a voting card which indicates where your
voting station is located. After that, you'll need to get a Lafayette County
license plate for your car. Do that on the first floor of the Courthouse.
Car taxes and tags are relatively inexpensive in Mississippi, so it may
be in your best financial interest to make this change as soon as you can.
For the fiscal year 1998, for example, taxes on a 1995 Honda Accord amounted
to approximately $87.00, although the primary charge to register your vehicle
may be more than that.
Health Care:
Each graduate student receives information
about the university-sponsored
insurance
plan each year. While it is an individual decision whether or not to sign
up for this plan, most English graduate students opt not to. The plan is
primarily major medical and horror stories circulate about what procedures
are not covered. Even without the university insurance plan,
any
student who pays tuition can visit the Student Health Center for standard
medical treatments. The doctor visits cost nothing, although any lab work
is charged to the student. (Many graduate students get their flu shots
at the Center.) The Center has a good, relatively cheap pharmacy, and any
costs incurred at the Center can be charged to the student's Bursar account.
Due to a measles outbreak in the 80s,
Ole Miss demands that each incoming student have a vaccination record indicating
two MMR (Measles, Mumps, Rubella) immunizations. If you cannot locate your
vaccination record or only have had one MMR shot, you can get this immunization
at the Student Health Center for a reasonable price.
Some graduate students prefer to find
a way to acquire private medical insurance and to visit doctors and pharmacies
in town. Most of them are very good, although many doctors' offices only
file state insurance or Blue Cross/Blue Shield claims for the patient.
This erstwhile graduate student recommends the following doctors: Anita
Adams (GP), Mona Castle (GP), William Henderson (OBGYN), Harvey Leslie
(DDS), and William Mayo (eye). Most doctors' offices are located near Baptist
Memorial Hospital on South Lamar.
Child Care:
We did a quick survey of folks in the
department with children in day care, and came up with three facilities
that our colleagues use and endorse.
Willie Price University Nursery School
is located on campus, in Meek Hall. They offer both full and half-day child
care. The cost for a half day is $139.00 per month, while $225.00 will
ensure full-day care for your child. There are additional costs, however,
including an annual enrollment fee of $75.00 as well as an annual art supply
fee of $25.00. The nursery accepts children from age 3, with potty training
required. There is also a waiting list which varies in length from one
semester to two, depending on the number of families applying.
Offering child care from a very young
age (6 weeks pre-K) Mother Goose is the service most frequently
used by our faculty members with children. Mother Goose provides
all-day care at the following rates: for babies to 2 years of age, $300.00
per month; for children of 3 or older, $270.00 per month.
The First Baptist Church also provides
full day care for ages 1-4. The prices are as follows: one year olds, $275.00;
two year olds, $270.00; three and four year olds, $250.00.
There are a host of other options that
can be found in the BellSouth yellow pages. Caring for children while you
are in graduate school can be a terrific challenge. We wish you and your
family the best of luck in finding a caregiving situation that fits your
needs and means.
Animal Care:
You cannot go wrong in terms of animal
care in Oxford. There are three clinics available for veterinary service:
Animal Care Center, Animal Clinic of Oxford, and Lafayette Animal Clinic.
Each has an excellent reputation, qualified doctors and staff, and emergency
services. A regular checkup with vaccinations usually runs around $40.00.
Basic pet supplies are available at Wal-Mart and you can buy pet food at
any grocery store. If you require special pet food, it is available at
any of the three veterinary clinics.
If
you are interested in acquiring a pet in Oxford, there is only one animal
shelter -- the Oxford-Lafayette Humane Society on Highway 7. It is a small
facility and, given the stray animal population in the area, must euthanize
a goodly number of animals per year. However, the staff is
dedicated
and every effort is made to adopt as many pets out as possible. The shelter
employs standard adoption procedures -- applicants must fill out an adoption
form and agree to have the pet spayed or neutered within a given period
of time. The staff tends not to visit the applicant's home, but they do
reserve the right to do so. They will check to make sure that pets are
allowed in the applicant's home, if s/he is renting, so don't try to pull
a fast one. The adoption charge is usually around $45.00, the pet is given
a vaccination on the spot, and the first veterinary visit is free.
The shelter staff usually recommend the
Animal Clinic of Oxford, but the applicant can choose any of the three
available clinics. Two staff members, Deniese Thweatt and Vicki Ferguson,
will pet-sit, independent of the shelter -- just call the shelter to set
up the schedule and payment with them.
For a town of its size, Oxford has a surprisingly
large number of restaurants. You will find all the fast food places your
heart might desire out on West Jackson and on University by Kroger, but
if you are in the mood for something more than a Happy Meal, you might
try some of the following places. As you explore Oxford, you will no doubt
discover places where you like to eat, but in the mean time, here are a
few suggestions for places that will fit most graduate students' budgets.
Like any respectable Southern town, Oxford
has its share of barbecue places. Handy Andy's carries on the tradition
of a barbecue place looking like a converted grocery store, right down
to the torn screen door (unless they fixed it since I was last there).
The booths are a bit torn and very comfortable, and in addition to barbecue
at lunch and dinner, you can get a fried pie or a pork biscuit for breakfast.
Not everyone knows that you can get barbecue at the drive through
Rebel
Barn. It's pretty good (I like the spicy sauce) and some people will
kill for one of their barbecue sundaes (worth looking into: it's probably
not what you are thinking). In the wintertime, this is the only place in
town to get a cold beer--they store the beer outside and it reaches a nice
drinking temperature. Pretty tricky, huh? Dixie Creek Barbecue is
a little more chi-chi (in the sense that they bring you your order after
you place it at the counter) and they have really good french fries. Dixieland
Barbecue is also worth a try--find it in the corner beside Big Star.
Pizza places are ubiquitous in Oxford.
No one seems to know why, but they pop up everywhere. You will probably
just have to shop around to find your favorite, but here are a few places
to try. Proud Larry's serves pizza by the slice during lunch and
dinner. They put some herbs and stuff into their crust which I think makes
it really good, but other people find it kind of distracting. Larry's
also serves good salads, sandwiches, and pastas. Old Venice Pizza Co.
Serves about a billion different kinds of pizza, with toppings that range
from the exotic (pine nuts: yum!) to the everyday (pepperoni). Chances
are you can find something you like there. You might also want to try Dino's
and Pizza Den. In addition, there are two Pizza Huts (why,
please, do we need two?), a Domino's, and a Papa John's.
Unlike pizza, ethnic food is not so easily
found in Oxford. Of the Chinese places in town, Ruby Chinese seems
to be most everyone's favorite. As the only Mexican restaurant in town,
El
Charro would probably get lots of business even if it wasn't really
cheap and fast. Nobody pretends that it is authentic (with its canned salsa
and processed cheese), but the waiters are friendly and darn if there aren't
some nights (or days?) when those margueritas don't just hit the spot.
Kalo's
Tavern is a "Greek" restaurant that serves things like hummus and wraps.
The food has been a bit inconsistent, but it has changed owners recently
and so is certainly worth a try. Don Pancho's is a small and comfortable
Caribbean restaurant that is run by a mother and son. The menu changes
every day, but everything is fresh and well spiced. Try the catfish with
garlic sauce--it is yummy. Be sure to bring wine with you if you want it;
they do not have a liquor license. Make a reservation if you really want
to eat here. A few restaurants around town will occasionally offer some
ethnic dishes on their menu, particularly the Henry Cafe. The Henry
doesn't serve meat--just fish--and this year, Thursday has been sushi night,
and they offer an Indian plate on Saturday nights. Both of these have always
been good bets, worth going out of your way for. By the time you read this,
the Henry will have opened a tapas bar next door (The
Jubilee Lounge). If the rest of the food is any indication, the new
bar will be a welcome addition to Oxford.
Ajax Diner has good Southern food--I
really like the twice-baked potatoes, and I smuggle the hush puppies home
in my pockets. The Yocona River Inn is one of my favorite places
to eat, not only because the food is really good (get a house salad--yum
yum!), but the 10 mile drive makes me feel like I really have a life. Yocona
is another brown bag place, and it is one of the only restaurants open
on Sunday nights.
Of the two bakeries in town, Bottletree
and
Trigo
Plant, I like the Trigo better, but since there is no place
to sit down and eat there, it is really more of a place to pass through
than a destination. The Bottletree has good coffee and substantial
(if a little pricey) sandwiches at lunch. For heartier breakfasts and cheap
plate lunches and dinners, check out Smitty's and The Beacon.
Smitty's,
incidentally, is the only place in town to serve breakfast all day long
(excepting, of course, The Huddle House, which is much like Huddle
Houses elsewhere). The Henry sometimes serves a fine Sunday brunch.
If it is only a cup of coffee you are looking for, and maybe a light snack
too, consider the cafe upstairs at Square Books. It's good, strong,
New Orleans coffee, and if the weather is nice, there is no nicer view
of the Square than from the balcony. And if you sip inside, you get to
enjoy the smell of new books.
City Grocery and Downtown Grill
are the two fine dining restaurants in Oxford. Both are too expensive for
the typical graduate student's budget--unless you are dating a doctor in
town--but perhaps you can think of them when a parent visits or a bond
matures. The Downtown Grill offers typical country club fare--steaks,
chicken, and pasta. Its dark wood and green carpet and waiters that don't
quite know what they are doing reinforce this theme. City Grocery
offers what is probably the most interesting food in Oxford. Its menu,
which changes seasonally, often makes creative use of local ingredients
and international influences. The wood floors and brick walls reveal its
former life as a livery stable, but they also make for an interesting atmosphere.
Beware--on busy nights and football weekends, those lovely walls often
turn the restaurant into an echo chamber.
Editor's Note: The opinions expressed in the above essay are the opinions
of our food guru and do not necessarily reflect the opinions of the editor
of this book, the Department of English, the EGSB, or anyone else worth
suing.
Okay, so you've had a nice meal and you're
itching to do something, but you're just not sure what that something
is. Below is a list of some ideas that may eat up some of that spare time
you know you should be spending academically. Hey, there are those
days when reading another book of criticism just might make you scream.
The following are ranked by the author and imply nothing other than one
person's opinion--albeit an expert opinion.
Bars:
#1--The City Grocery: No, it's
nothing like the name implies, although at one time it was a real mom and
pop grocery store. The bar entertains a fairly laid back crowd--an equal
mix of Oxonians and Ole Miss students (mostly graduate level). Talk over
spirits is the status quo. Happy hour runs from 4-6 (1/2 price beer and
well drinks). They've got a couple of televisions, so you can watch the
latest SEC game. Features a local blues or jazz band weekly. They've a
cd juke box and a shuffleboard table for those more adventurous types.
For those warmer days, there's a balcony overlooking the square.
The bar features odd artwork--the not-so-subliminal hidden word, and what's
up with the upside down Christmas tree? The bartenders pride themselves
in making the best drinks in town. Martinis and the Scotty Colada are specialties.
A great place to bring or find a date.
#2--Murff's: It advertises itself
as "The Center of Life" and although that's a bit debatable, a great sudsing
place that serves great short order food. The mix tends to swing a bit
toward locals, but not in an uncomfortable fashion. They have a fine deck
for those nice spring-early summer days. Music tends to get loud as the
night progresses. They've got a pool table, a dart board, a shuffleboard
table, and the owners pride themselves in following sporting events on
a pair of televisions. Murff's has a second downstairs bar that's open
periodically. There are drink specials and bands by announcement. Their
specialty is stiff well drinks.
#3--Proud Larry's: A great place
to eat and drink if you don't mind the wait. Service is notoriously slow.
Features the best bands in town, hands down. They have featured alternative,
jazz, blues, and rock bands including Warren Zevon, Mose Allison, and the
like. They've drink specials by announcement, often in conjunction with
local sporting events. Clientele is mostly undergraduates.
The Jubilee Lounge--Recently opened to
rave reviews. Large pints of tasty imported brew are a bit pricy, but for
quiet conversation and the company of friends, perhaps the best place in
town.
The Gin--An undergraduate hangout. Serves
food. Has a wonderful and huge outside bar during the warmer seasons.
The Sports Bar--An undergraduate hangout
with great pool tables. Expensive pool rates.
Lyric Hall--Features bands in a concert-like
setting.
To take a chance on: Holiday Inn, Duffy's,
Forrester's, Opal's, Full Moon.
Movies: Well,
there's only one place . . .
Cine 4: Located in the Oxford Mall,
it's your standard small town theater. It has four screens as the name
implies and shows mostly the big hits. A fairly good atmosphere, but if
you really want to see that movie go to Memphis. For art films,
small films, or films with three-syllable words, again you're bound for
Memphis.
Movie Rentals:
As Seen on TV: Located on the Square,
this place has an odd assortment of blockbusters, hard to find hits, art
films, and weird films. A bit pricey, but they also sell beer. A truly
odd and wonderful place.
Blockbuster: Just like the other
thousands around the country. Has specials, the biggest numbers of the
biggest hits.
Take Two: The place has two locations
in town and you're liable to find a better selection of those harder to
find favorites. Prices are good.
Video Midtown: A good selection
of hard to find favorites--which in this case means that they have a lot
of good movies and films, but they are physically hard to find on the shelves.
They have a very odd way of arranging things. Figure on spending time actually
finding what you're looking for, or make it easy on yourself and just ask.
Good prices--and tanning in the back.
Readings and Lectures:
Square Books/Off Square Books: Owner
Richard Howorth does an excellent job pulling in some of the biggest name
writers of our time to read from and sign their books. Recent writers have
included a cross-section of the finest popular, literary, and children's
writers from across the United States. If you haven't read at Square Books,
you're not a name. Watch for periodic announcements--usually a major reading
every 2 weeks or so.
Sigma Tau Delta: Has an average
of 4-6 readings per year. Features local and student writers and open microphone
performances. Watch for announcements of place and time.
Brown Bag Lunches: Features readings
and critical discussions over various topics of interest several times
during each semester. Yes, you can bring your lunch. Watch for postings.
The English Department, as one might expect,
does a great job in featuring literary and critical readers. Watch
for announcements in the Daily Mississippian and around Bishop Hall.
Other readings not to be missed:
John and Renee Grisham Visiting Writers Series, Oxford Conference on the
Book, Faulkner Conference, Southern Writers/Southern Writing Conference,
Savage Lecture, Longest Lecture (yes, that's the real name), etc.
Plays: Ole
Miss has several play series throughout the year backed by the Theater
Department and various conference tie-ins, in addition to sponsoring professional
troupe visits periodically. They are usually good and fairly cheap. Order
tickets ahead of time.
Outdoor Recreation--Camping, Fishing, Picnicking,
Hiking:
#1--Sardis Lake: A rather large
and fairly well kept National Park. Hiking, camping, picnicking are great.
Fishing is rumored to be great although this writer has had little luck.
Best non-boat fishing is off the dam. Stop by the Oxford Tourism Council
for more specific information on Sardis and for information concerning
other lakes in the Oxford area. For fishing and hiking trails, ask the
eco-folk in the department and they'll point you in the right direction.
The park hosts a great wetlands trail--don't laugh, it's not what you think.
Remember in Mississippi fishing and hunting licenses expire in the middle
of summer. Don't ask why; it's a Mississippi thing.
#2--Rowan Oak: While picnicking
and such is not allowed at Rowan Oak, there is a well kept trail you can
walk in Faulkner's woods. Takes about an hour, depending on how industrious
you are.
#3--Avent Park: If you just want
to play frisbee, ball, or have a nice picnic, it's a well-kept little park
in town. It has a frisbee golf course and swing sets. Here's to the kid
in all of us!
Other Things to Do (A
Top 10 List):
#10--Go to Oxford's First Tuesday celebration
#9--Watch
power walkers from the City Grocery balcony
#8--Visit
the University Museum and student galleries
#7--Spit
into the kudzu from the University Street bridge
#6--Attend
an Associated Graduate Student Body meeting
#5--Attend
an English Graduate Student Body meeting
#4--Attend
a meeting of Cell Block 8 at Parchman Prison
#3--Join
Sigma Tau Delta
#2--Try to guess how
old that chicken on a stick really is
#1--Tour
Rowan Oak in your pajamas
EBook: The QPages
Living Gay in Oxford and at Ole Miss
concerning issues relating to the individual freedom of sexual/political expression at Ole Miss
In many ways Oxford, Mississippi is a typical Southern town: a sequin set in the country’s Bible Belt. Ostensibly, such classification places the University of Mississippi deep in the antagonistic corner away from any spirit of freedom in matters of sexual openness. Indeed, most of the undergrads on campus would probably consider sexual activity with someone of the same sex to be a sin. This judgement often stops all sincere critical thought on the matter.
This said, Oxford is atypical because of the presence of the University. Not ten years ago, tenured gay professors were in danger of losing their jobs at Ole Miss if they revealed their sexual identifications to be anything but heterosexual. Now, there are openly gay, lesbian, and bisexual teachers who can speak about issues of sexuality without having to rephrase or translate everything for “normal” students.
Currently, at Ole Miss as with most good schools, the battle wages on to stop homophobic ignorance from crystallizing into hatred. For every gain made by the Gay, Lesbian, Bisexual, and Transgendered Association or any other group at Ole Miss (e.g., a full page ad in the Daily Mississippian of students dressed in modest attire in front of the Lyceum and captioned, “Your Gay & Lesbian Colleagues Welcome You Back”), hostility has set back those same advances (e.g., a retraction from the DM and a series of ads taken out attacking the initial welcome message). The campus, in learning to accept people of various gender identifications and sexual orientations, is experiencing much of the difficulty it had in the sixties and seventies with simple acceptance of racial equality. And just as the war against racial bigotry continues, it looks like the University of Mississippi will be dealing with various other issues of acceptance for decades to come.
Finding gay/gay-friendly partners or friends in Oxford can be difficult, but, that’s no different for “straight” people. Generally, the groups listed above are a good start towards networking with other, similarly open-minded companions on campus or in Memphis. As for meeting folks about town (i.e., cruising), another warning should be interjected. Watch out for traps or “sting operations” run by either UM Campus police or the City of Oxford police. These “crack-downs” most often occur in public rest rooms or wooded areas. Sources have reported being arrested for saying just a few suggestive words in these places. Usually, the police feel that they are doing a service to the citizenry; however, some police have been reported to arrest people for lewd conduct after having received sexual pleasure from those they arrest. With laws and court decisions so weighted against equal rights for all, many gays feel that extra precautions for same-sex relations have to be exercised, especially in typically cruisy areas.
The English department at Ole Miss has many professors as well as students who are concerned about feminist as well as gender theory and queer issues. Even the few English teachers who have expressed their dislike of gays or gender deconstructionists seem to grade fairly despite their political opposition to equal rights. For the most part, teachers wish to know more about the exciting things happening as queer theory takes shape in the wake of Foucault. Expect, of course, to apply your knowledge of queer textual interpretation to the subject prescribed by the teacher so as to illuminate vital points about that subject, and then there can be little dispute as to the validity of your high grade.
Within the department, professors have expressed a wish to help students interested in queer theory or gay and lesbian studies including Dr. Karen Raber. Along with directing you towards texts (like, Judith Butler's Gender Trouble or Eve Kosofsky Sedgwick's Epistemology of the Closet) that help orient a student in the conflicts and hermeneutic tools of queer theory, she can also help you make sure the employment of your exegesis or tonality readings (e.g., coerced retraction or camp) are not only applicable but also used with the same precision required of all academic disciplines.
Many students at Ole Miss cannot fathom the complexities that shaped the interpretation of religious texts in the South. Often forgetting, or simply ignorant of, the use of the Bible as an oppressive tool against Blacks and women, even intelligent students will act as if condemnation of sex (any sexual activity other than procreative duty) is the only valid interpretation of the Word of God. Putting aside the fact that, for many people, the canonized Bible is no more the word of god than a joke on a Bazooka gum wrapper, those who do associate the Bible with divine inspiration are too often, in the South and throughout the Bible Belt, given interpretations of scripture that would seem to condemn: gays, those who've had or those who support the right to an abortion, effeminate behavior in men, or butch behavior in women, etc. Of course, other popular and still prevalent condemnations that some people distill from the Bible include: no cutting of hair for women, no consumption of alcohol (or other recreational chemicals--like, say, caffeine), no swimming with people of the opposite sex, no wearing of colorful clothing (e.g., many Amish Christians call those people who wear other clothes than black or white, "gay people"), etc.
The point here is that there are just as many Christian churches in the United States that support the rights of gays as there are churches waiting to condemn them. Also, in creating an ecumenical society between denominations, much tolerance must be afforded not only for someone else's personal restrictions, but also for personal liberties that others may not feel fitting for themselves. Locally, only a few branches of national Christian churches accept non-heterosexuals, including: the Society of Friends (Quakers), the Episcopal Church, and the Lutheran Church. On the national scene, one Christian church, the Metropolitan Community Church, has grown since the early seventies to become a substantial Christian church both in size and theological aptitude. While the MCC in Memphis is actually an evangelistic outreach of Covenant Metropolitan Community Church in Birmingham, Alabama, Safe Harbor MCC is a young, growing church for gay Christians and their supporters. Certainly of equal importance is Holy Trinity Community Church on Madison Avenue (1559) across from WKRB. A substantial congregation has existed at Holy Trinity for several years, and it is the largest area church for Christians not accepted elsewhere. Both Safe Harbor and Holy Trinity offer uncloseted worship of Jesus Christ for people of all gender descriptions and sexual orientations.
Nearly all instructors have to decide daily if they must alter information for less experienced students. One choice, the blatant truth, is right for some, while some others choose to “bend” or fictionalize specifics of personal illustration. Once again, the English Department doesn’t restrict an open forum, but they do remind us that we have extra authority within the classroom forum. The choice of your classroom’s decorum regarding topic choice and diction will influence tendencies toward blatancy or circumlocution--both in speaking and writing.
What seems so ironic, though, is that the implicit mask of “passing” as straight often creates less direct and specific communication in the classroom, while at the same time, Freshman Composition teachers are often trying to teach their students to become more direct. Composition teachers, however, have the youngest, least experienced students to deal with. Some teachers feel that since most of their students are from conservative backgrounds (complete with conservative parents paying for their children’s education) that confronting students with examples and anecdotes outside of rigid lines of conformity will hurt their students’ ability to focus on the larger issue of precise, inventive writing. Other teachers feel that within the same anxiety that makes queer/gay/lesbian/bi-sexual/transgender issues or sexual choice such hot topics, the source of powerful thinking and writing springs forth self-evident to the student when allowed to explore such intimate feelings. So, while some find it hard enough to barrel through their students’ general resistance towards writing, others tackle hard questions to force students to write down and examine their own feelings, biases, and ideas.
Basically, it’s an unanswerable question. Some graduate instructors don’t even come out to their peers, much less to their students. Either path is tough, but each has its own benefits. Luckily, the University of Mississippi supports the ideals of academic standards over pure conformity and is, at least, wrestling with questions of individual rights.
Finally, a recent case within the English Department showed the rigor of Ole Miss’s commitment to professionalism within the classroom. A teacher had to confront several students in conference regarding their whispering and jeering about that teacher’s sexual orientation. With witnesses and the full support of the English Department, those students were advised to stop discussing issues that were not part of the subject being taught. They were told that their class grades at that point had dropped severely by their poor classroom participation grade. The issue, as all parties (and all but one of the students) confessed, was not over anyone’s sexual desires but, rather, over a lack of individual writing work and the concentrated focus needed for good workshop participation. Some of the students basically admitted that they only gossiped when they weren’t prepared for workshop. The teacher, rightfully, was commended for handling this situation.
Note: when discussing this question with this section's author, I forwarded the opinion that one could choose to leave sexuality outside the classroom. The author mentioned how heterosexual instructors/professors may mention wives or husbands, and asked whether this wasn't an expression of sexuality--which a homosexual professor or instructor might have to modify or avoid altogether.
I had to admit that sexuality does come out in the classroom, and no one can decide that outside experience must not enter into the classroom. Such a decision could not be enforced. I have heard professors mention their husbands or wives many times, especially in anecdotes or examples, or if their partners were also involved in relevant research.
These questions therefore are very important. If we wanted instructors without any personal relevance--without any personality--in the classroom, then we'd be better served by teaching machines, not human beings. Why should we expect one group to be more robot-like than the rest? --editor
The official US statistics as to the frequency of gay teenagers who commit suicide speak volumes: gay teens are two to three times as likely to try and are generally more successful in their attempts at suicide. Others, including myself, believe these numbers to be woefully below the actual incident rate. Self-shotgun fire has quelled the life of more than one Ole Miss student who couldn't accept the idea he might be gay. Nationally, incidents of alcoholism and drug abuse rise within the group of gay adults, especially among closeted gays; therefore, it's only reasonable to accept the possibility of heavy chemical usage as a means to dilute passions an Ole Miss student feels must be hidden from his/her peers. The presure to conform often crushes gay teens in one way or another.
What do you do when a student threatens suicide because he/she thinks he/she can't live in this world if that's who he/she really is? Have the student call the Wellness Center. If you're really concerned, then make sure this student has a counselor that he/she can talk with.
It's fine to discuss subjects with students in a professional manner outside of the classroom; however, it is of particular danger to the English teacher (like the music teacher or coach) that students will seek us out as trained counselors despite the availability of free counseling on campus. Particularly around finals or paper due dates, sudden outpourings of deeply hidden thoughts seem to burst forth from students who earlier may have seemed rather listless or excessively absent. As for the nature of these dangers they are several-fold: 1) to the student, 2) to yourself as a teacher & your career, 3) to the department, 4) to the school, 5) to the student body of graduate instructors, 6) to the general principles of ethical educational practices, etc. Watching a film like Oleanna, To Sir With Love, Dead Poets Society, or even Tea and Sympathy will give some bearing as to the dangers whereof I speak. Everything from suicide to sexual harassment to charges, like those placed against Socrates, of misleading the country's youth can be and have been placed on teachers who really challenge students to think and live without unfounded societal constraints. However, by passing the student on to people who are trained to deal with these conflicts, the teacher can usually assure better care for the student as well as, honestly, fewer legal dangers.
Some of the best advice, especially for writing teachers, is to invite those students having sexuality problems (or problems being accepted because of their sexuality) to use their journals and personal writing times for exploring those feelings. Without having to place a grade upon the work, the teacher can write to the student to observe certain passages or tendencies of each passage so the student can use writing as a tool to become more honest with him/herself. The same is true of any traumatic experience that the student might undergo.
So, if it's because they take their own lives from self-loathing or if it's because society forces the hemlock to the lips of young folks who might be anything but heterosexual, no one can say. But something is killing gay teens. Sedgwick points this out at in her essay "How to Bring Your Kids Up to be Gay" as she reminds us that so many institutions in American society (e.g., marriage, public life, a bussiness, education, acting, clerical or military career, etc.) reinforce mandated, gender-proscribed behavior as well as the need to punish those outside of those behavior guidelines. She also reminds us that a quarter of gay sons are "kicked out onto the streets" without any parental support when they refuse to try and be heterosexual. Please, do be sensitive to your students needs and issues, but remember not to overstep your abilities in trying to help, or to place yourself in danger of being manipulated.
Ya'll take care
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Saturday, July 04, 2009, at 02:22 PM CDT