Malaysia Night
shares culture of Asian nation
Brian Wiuff
DM Staff writer
Singing, dancing, ancient
legends and the smell of good food all permeated the air in the
Education Auditorium Sunday night. The cause of the festivities
was the Malaysian Student Association's annual presentation of
Malaysian Nite '99.
"For the past 18 years,
the purpose of Malaysian Nite has always been to introduce and
share the culture of Malaysia," said Konrad Yapp, a member
of the Malaysian Student Association and the evening's master of
ceremonies.
Malaysia Nite '99 was kicked
off with a slide presentation that revealed both the natural
beauty and cultural diversity of the country.
Malaysia is a tropical nation
in the South Pacific that occupies an area about the size of New
Mexico but is spread over different land masses and individual
islands. The population of 21 million lives in 64 different
regions, each with its own culture and identity. Ethnic groups
in Malaysia range from Malay to Chinese to Indians. The
religious face of the nation is equally varied. Islam, Buddhism,
Daoism, Hinduism, Christianity and Sikhism are all practiced.
This diversity was reflected in
the varying dress and appearance of the members of the MSA as
they sang the Malaysian National Anthem following the slide
show.
Michael Johansson, acting
director of international programs, then welcomed the audience
hoping to prove that, "an evening of culture can be both
enriching and fun."
The first performance was a
harmonious coordination of drumming, clapping, singing and
seated dance called the "Dikir Barat.'" This sometimes
soothing, sometimes exciting routine is an ancient tradition in
Malaysian culture that was originally reserved for royal
celebrations and considered to be of great importance. However,
modern Malaysia has seen it less as a regular event, but it is
sometimes used as a teaching method for the young.
The show progressed with a song
dedicated to the autumn breeze, seen as a symbol of life,
friendship, truth, hope and faith.
Along with song and dance,
comedy played an important role in Sunday's festivities . Two
humorous skits were presented. The first dealt with the trials
of a driving examination. The second, set to the tune of Mr.
Bombastic, involved heroic macho displays, with the damsel in
distress played by Andrew Simon, the president of the MSA.
A dance entitled
"Sunrise" ended the first half of the show. It
integrated the Malay, Chinese and Indian dance styles and
accentuated their differences in stylistic dress.
Intermission afforded the
attendees the opportunity to sample Malaysian cuisine prepared
by Hunan Chinese restaurant. The meal was served on a base of
rice, the most abundant and popular food in Malaysia, and topped
with potatoes, stir-fried vegetables, and a spicy yet delicious
curry. A staple of the Malaysian table, fried sweet potatoes,
provided an especially delicious end to the meal.
Immediately after dinner, a
theatrical rendering of the "Legend of Mahsuri" was
presented. This important folk tale recounts the trials of the
princess of one Malaysian island. It is a classic story of love,
social strife, religious suspicion, trust and political
intrigue, resulting with a curse against the land to last seven
generations.
Malaysian student and performer
Kenneth Wong brought the program back to song, with his
performance of two songs in Cantonese, both by a recently
deceased pop star. Along with his hip yet emotional vocals, Wong
also played the guitar, much to the delight of the audience.
The finale of the evening was a
unique blend of dance serving as a modern fashion show. The
richly ornamented models displayed traditional dress of both men
and women, representing each of the main Malaysian cultures.
The evening concluded with a
warming Malaysian folk song performed by the entire MSA.
The performers were met with
loud cheering and a standing ovation. According to Yapp, the
seats had in previous years been filled mostly with
international students, but this year he was glad that more of
the university community came out to enjoy the show. |